Sunset on a Golden Sky

Sky.with.Golden color tempted me to click this photo thro my mobile camera on a charming evening…. Location…Brisbane Australia

Month.May.2019

Natarajan.K

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30-Yr-Old Gomathi Stuns Everyone, Creates History By Winning India’s First Gold At Asian Athletics Championships

The second day at the 23rd Asian Athletics Championships ended on a high note for India. Months of hard work, grit, determination and practice finally paid off for unheralded half miler Gomathi Marimuthu and shot putter Tejinderpal Singh Toor. Both of them clinched a gold medal each. By the end of Monday, India’s medal tally stood at 2 gold, 3 silver and 5 bronze.

For the 30-year-old athlete, this was her first major win at an international stage. She ran her way, all the way from the back of the pack, just to stun the crowd by winning the 800m race. Gomathi clocked a personal best time of 2 minutes 02.70 seconds in the half-mile event to win a gold for India. Recently, her previous best (2:03.21) was the golden run at the Federation Cup at Patiala.

Years of intense struggle

For Gomathi, it has been ten long years of intense struggle. As a farmer’s daughter, she had only started professionally running when she was 20. “I did not realise until I crossed the finish line that I won a gold medal. The last 150m was a very tight race,” she said. This was only the third international event for Gomathi. While she has always been interested in sports, it was her friend Shruthi from Holy Cross College in Trichy, who inspired her to take it up seriously.

“When I was growing up, there was no one to tell me that I can make a living out of sports. I never understood the significance until I joined college. I just wanted to get a job and support my family,” she told The New Indian Express.

The only one to go to college among two other siblings, Gomathi landed a job with the Income Tax department in Bengaluru and started training regularly. Her intense hard work got recognised as she got selected for the Asian Championships in Pune in 2013. That year, she had finished seventh in the 800m final and two years later, at the same event in China, she finished fourth.

While Gomathi dreamed of clinching the gold next time around, tragedy struck her family. In September of 2016, her father passed away due to colon cancer and in December, Gomathi suffered groin injury. With a few months time, her coach, Gandhi died of a heart attack. “I had no one to train me. I had to provide for the family as well,” she lamented. An injury is the worst that can happen to an athlete who started as late as Gomathi. She had to wait for almost two years before she could train again, however, she was unstoppable.

Getting back up

Since the beginning of 2019, Gomathi started participating in various state and national level championships, At the Federation Cup in March, an event that served as a selection trial for Doha, she finished first. While her timing was good enough to fetch a gold at the 2017 Asian Championship in Bhubaneswar, due to her long absence from the field, Athletics Federation of India asked her to appear in another round of trials in Patiala a few days ago, where she was given a green signal to represent India at the Championship in Doha.

Gomathi’s story is truly inspirational, just like her performance at the 800m run. While she has scripted history, it is her never-say-die attitude which helped Gomathi through tougher times. The Logical Indianapplauds her determination and her achievement at such a prestigious world forum.

Image Credit: News18

Source……..www.thelogicalindian.com

Natarajan                                                                                                                 

வாரம் ஒரு கவிதை …” தாமரை “

தாமரை
========
குளத்தில் மலரும் தாமரை சேற்றிலும்
மலரும் …தெரியுமா இது உனக்கு தம்பி ?
சேற்றில் மலரும் தாமரை …குளத்தில்
மலரும் தாமரை …ஒன்றுக்கொன்று
சற்றும் குறைந்ததல்ல !
மலரும்  இடத்தை வைத்து தாமரைக்கு
கிடைப்பதில்லை  சிறப்பு தகுதி !
தாமரை  தாமரைதான் …எந்த இடத்தில்
பிறந்தாலும் !
தாமரை இலையில் தண்ணீர் ஓட்டுவதும்
இல்லை… நீரிலேயே அதன் இலை
மிதந்தாலும் !
தாமரை சொல்லும் செய்தி இதுவே தம்பி !
நீ பிறக்கும் இடம் எது என்பது முக்கியம் அல்ல
தாமரையாய் நீ மலர்ந்து மணம் பரப்ப  வேண்டும்
உன் வாழ்வில் ! அதுதான் உன் இலக்கு !
சோதனை பல வந்தாலும் உன் வாழ்வில்
எல்லாம் கடந்து போகும் என்று தாமரை
இலை தண்ணீர்   போல இருக்க வேண்டும் நீ !
நீருக்கு பெருமை தாமரை மலரால் !
நீ அமரும் இருக்கைக்கு பெருமை
உன்னால் !
மறக்க வேண்டாம் இதை நீ !
K.Natarajan
01/03/2019

Typewriter Art ….True or False ? …. An Analysis from Hoax Slayer !

The Amazing Typewriter Art of Paul Smith ….True !!!

This story was first published on December 23rd, 2010

Outline

Message with a series of attached pictures claims that the pictures were created on a typewriter by the artist Paul Smith.

Brief Analysis

The claims in the message are true. As stated in the email, American artist Paul Smith created all of his artwork using a typewriter. He passed away in June 2007.

Examples

Subject: Amazing Typewriter/WOW!

He lived at Rose Haven Nursing Home, Roseburg, OR, for years.

This is incredible–especially when you finally get to the bottom and read the biography of the man who painstakingly accomplished these works!

These pictures are unbelievable and amazing. Hope you enjoy them as much as I did.

Typewriter Art Can you believe that this art was created using a typewriter?

 

Paul Smith, the man with extraordinary talent was born in Philadelphia on September 21, 1921 with severe cerebral palsy. Not only had Paul beaten the odds of a life with spastic cerebral palsy, a disability that impeded his speech & mobility but also taught himself to become a master artist as well as a terrific chess player even after being devoid of a formal education as a child.

When typing, Paul used his left hand to steady his right one.. Since he couldn’t press two keys at the same time, he almost always locked the shift key down and made his pictures using the symbols at the top of the number keys. In other words, his pictures were based on these characters ….. @ # $ % ^ & * ( ) _ .

Across seven decades, Paul created hundreds of pictures. He often gave the originals away. Sometimes, but not always, he kept or received a copy for his own records.

As his mastery of the typewriter grew, he developed techniques to create shadings, colors, and textures that made his work resemble pencil or charcoal drawings.” This great man passed away on June 25, 2007, but left behind a collection of his amazing artwork that will be an inspiration for many.

Editor’s note: The message generally circulates with many other examples of Paul Smith’s work, which have been omitted from this example. You can view these pictures and more via the artist’s website

This email forward, which features the work of artist Paul Smith, explains that all of the pictures were created using just a typewriter.

The claims in the email are true. The extraordinary art of Paul Smith was indeed created on a typewriter and is now known all around the world. This inspirational man, who did not allow cerebral palsy to stop him from living a remarkable life, was an accomplished chess player as well as an artist.

Paul was born in Philadelphia on September 21, 1921. He died on June 25, 2007 while a resident of the Rose Haven Nursing Center in Roseburg, Oregon.

More details about the artist, along with galleries of his work, are available on the Paul Smith Foundation website. The website, now archived via the Internet Archive’s Wayback Machine, notes:

Across seven decades, Paul created hundreds of pictures. He often gave the originals away. Sometimes, but not always, he kept or received a copy for his own records. Be sure to visit the gallery at this site to see images of his pictures in detail.

 

As his mastery of the typewriter grew, he developed techniques to create shadings, colors, and textures that made his work resemble pencil or charcoal drawings.

It’s interesting to see how he gradually refined his use of perspective and coloring, and how his subject matter reflected the events and personalities of the times.

An article on the Chessville website also provides an interesting insight into the artist’s life.

written by Brett M. Christensen in https://www.hoax-slayer.net/

Natarajan

 

What a 60 ft Bridge in Salem meant for Script writer Karunanidhi ….!

The dialogues Karunanidhi penned from the bridge made cinema halls reverberate with claps and whistles of movie buffs and catapulted him to greater heights in filmdom and in politics.

 

 

 

 

 

 

 

 

Even after he became a Chief Minister and a national leader, M Karunanidhi never forgot his humble beginnings. Despite his hectic schedule, Karunanidhi would make sure to travel to a 60-foot bridge on the Yercaud Ghat road from time to time.

He often reminisced of the days when he used to sit there and pen unforgettable dialogues for iconic films like Mandri Kumari.

The dialogues he penned from there made cinema halls reverberate with claps and whistles of movie buffs, and catapulted Karunanidhi to greater heights in filmdom and in politics.

After he moved to Madras, it seemed he missed the panoramic view of Salem city from the mountain heights and the fresh air that he used to enjoy at the 60-foot bridge and longed to return to his favourite joint.

 

 

 

 

 

 

 

 

 

The 60-ft bridge on Yercaud Ghat road where Karunanidhi used to sit and write.

His colourful film career took flight right at Salem. In 1949-50, M Karunanidhi stepped into Modern Theaters as a dialogue writer on the recommendation of poet-cum-lyricist KM Sherif, writes R Venkatasamy, who wrote Mudhalalli, a biography of TR Sundaram, the legendary producer and the owner of Modern Theaters.

Karunanidhi had worked in Coimbatore Central Studios and at many other studios in Kodambakkam, but it was Salem’s Modern Theaters that gave him his big break into the world of Tamil cinema.

The writer of the film Ponmudi, which was under production, had left his work unfinished and TR Sundaram decided to assign Karunanidhi the task of completing it. Sundaram liked his work and Karunanidhi was employed at a monthly salary.

Karunanidhi had with him the script for a stage play based on Tamil epic Kundalakesi. TR Sundaram was impressed by it and figured that it would make a good movie if it was adapted. And this was then converted into the legendary Mandri Kumari.

American movie master Eliss R Duncan, who was the stable director of Modern Theaters, directed the movie. It was a box office hit and made Karunanidhi into an instant celebrity. The film also gave future Chief Minister MG Ramachandran a big turn in his career.

At first, Eliss R Duncan was hesitant to cast MGR as the hero in Mandri Kumari because of a minor curve on his chin. However, Karunanidhi strongly recommended MGR, suggesting that a short moustache can hide the flaw. The idea was accepted and the film took MGR to great heights in his film career and thus forged a lasting bond between him and Karunanidhi, and both, despite becoming political rivals, had a deep mutual respect for each other.

Mandri Kumari was also the first time that the dialogue-writer of the movie was given credit on the movie posters, writes Venkatasamy. Karunanidhi was one of the few celebrities recognised for his signature dialogues.

Karunanidhi’s contemporaries in Modern Theaters were lyricist Kanadasan, MGR and Janaki. The latter two became chief ministers as well. NT Ramarao, who also worked for Modern Theaters, became the Chief Minister of Andhra Pradesh.

 

 

 

 

 

 

 

 

 

A rare photo of Karunanidhi with his colleagues at Modern Theaters, including late lyricist Kanadasan

Such was the platform that Modern Theaters gave to talented people. It was a one-of-its-kind studio outside Kollywood that made 118 films in all South Indian languages as well as in English. It produced the first colour film in Tamil – Albabavum Narpathu Thirudarkalum. TR Sundaram was seen as a towering figure and Karunanidhi, MGR and Kanadasan who were celebrities, used to call him, “Mudhalalli” (master), writes the biographer.

What remains of Modern Theaters today is only the iconic arch on the Yercaud Road in Salem.

Karunanidhi’s association with Salem’s Modern Theaters remembered by garlanding a poster on the iconic arch.

There is hardly anyone still alive who remembers Karunanidhi’s life in Salem at Sanathi Street in Fort Salem except Vekatasamy (79). The tiny tiled house where he lived survived till recently.

Whenever Karunanidhi came to Salem, he would drive past the arch to the sixty-foot bridge and spend time there alone, remembering his humble beginnings. For the old-timers, a stopover at the bridge will surely conjure up the unforgettable song “Varai, nee Varai,” as it was here that the song was shot.

 

 

 

 

 

 

 

 

 

The spot on Yercaud Ghat road where Karunanidhi used to sit and write.

The last time he was reported going to the place was in 2009 when he came to inaugurate the hi-tech government hospital in Salem.

Source…..G.Rajasekaran in http://www.the newsminute.com

Natarajan

10th August 2018

 

மற(றை)க்கப்பட்ட உண்மைகள்! – வீட்டில் விளக்கேற்றுங்கள்!….

‘விளக்கு ஏற்றிய வீடு வீணாய் போகாது’ என்று ஒரு பழமொழி உள்ளது.
வீட்டிலும், கோவிலிலும் ஏன் விளக்கேற்றுகிறோம் தெரியுமா?


தீபத்தின் சுடருக்கு, தன்னை சுற்றி உள்ள தேவையற்ற எதிர்மறை சக்திகளை ஈர்க்கும் சக்தி உண்டு.
அவ்வாறு ஈர்க்கும்போது, தானாகவே, ‘பாசிடிவ் எனர்ஜி’ அதிகரிக்கும்.
நம் சுற்றுப்புறம் தெளிவாகவும், பலத்தோடும் காணப்படும். இரண்டு நாள் வீட்டில் விளக்கேற்றாமல் இருந்தால், வீடே மயானம் போல் தோன்றும். எல்லாருமே சோர்வாக இருப்பர்.
நம் உடலில் இருக்கும் ஏழு சக்கரங்களில் மூலாதாரமும், சுவாதிஷ்டானமும், நல்லெண்ணெய் விளக்கு ஏற்றுவதால் துாய்மையடைகிறது. அதேபோல், மணிபூரகம், அனாஹதம் இரண்டும் நெய் விளக்கு ஏற்ற, துாய்மை அடைந்து, நற்பலன்களை அடைகிறது.
நம் உடலில் இருக்கும் நாடிகளில் சூரிய நாடி, சந்திர நாடி, சுஷம்னா நாடி ஆகியவை மிக முக்கியமாக கருதப்படுகிறது.
* சூரிய நாடி, நல்ல சக்தியையும், வெப்பத்தையும் தருகிறது. சந்திர நாடி குளுமையை தருகிறது
* சுஷம்னா நாடி அந்த பரம்பொருளுடன் சம்பந்தப்பட்டு ஆன்மிக பாதையை வகுக்கிறது
* நல்லெண்ணெய் விளக்கு ஏற்ற, சூரிய நாடி சுறுசுறுப்படைகிறது
* நெய் விளக்கு, சுஷம்னா நாடியை துாண்டிவிட உதவுகிறது
* பொதுவாக நெய் தீபம், சகலவித சுகங்களையும் வீட்டிற்கு நலன்களையும் தருகிறது.
திருவிளக்கை எப்போது வேண்டுமானாலும் ஏற்றலாம்; இதற்கு தடையேதும் இல்லை.
ஆனால், பொதுவாக மாலை, 6:30 மணிக்கு ஏற்றுவதே நம் மரபு.
சூரியன் மறைந்ததும், சில விஷ சக்திகள் சுற்றுச்சூழலில் பரவி வீட்டிற்குள்ளும் வர வாய்ப்பிருக்கிறது.
ஒளியின் முன் அந்த விஷ சக்திகள் அடிபட்டு போகும். எனவே, அந்நேரத்தில் விளக்கேற்ற வேண்டும் என்கின்றனர்.
ஒரு நாளிதழில் வெளிவந்த நிகழ்வு இது: அமெரிக்காவில் இருக்கும் தன் மகனின் வீட்டுக்கு சென்றிருந்த ஒரு தாய், மாலையில், மகனும் – மருமகளும் தாமதமாக வீட்டுக்கு வருவதை பார்த்தார். இருவரும் வேலைக்கு செல்பவர்கள்.
ஒருநாள் மகன் முன்னதாகவும், ஒருநாள் மருமகள் முன்னதாகவும் வருவர்.
மகனை அழைத்து, தாமதமாக வரும் காரணம் கேட்க, ‘உனக்கு இதெல்லாம் புரியாதும்மா…
‘எங்கள் இருவருக்கும் பயங்கர, ‘ஸ்ட்ரெஸ்…’ இருவரும், ‘கவுன்சிலிங்’ போய் வருகிறோம்… ஒரு மணி நேரத்துக்கு அந்த டாக்டருக்கு கொடுக்கும் தொகை அதிகம். மிக சிறந்த டாக்டர், அவரது சிகிச்சையில் எல்லாம் சரியாகிவிடும்…’ என்று கூறினான்.
அதற்கு அந்த தாய், ‘நாளை அந்த டாக்டரை பார்க்க போக வேண்டாம்; சீக்கிரம் வீட்டுக்கு வரவேண்டும்…’ என்று கூறினார்.
அடுத்த நாள் மாலை, வீட்டுக்குள் நுழைந்த மகன் – மருமகள் மூக்கை சுகந்த மணம் துளைத்தது.
இருவரையும் கை கால் கழுவி, உடை மாற்றி, பூஜை அறைக்கு வருமாறு கூறினார், தாய்.
அவர்களும் அவ்வாறே செய்தனர். மணம் வீசும் மலர்களின் வாசம்… அழகான தீப ஒளி நிறைந்த அந்த அறையில் சற்றுநேரம் அமர்ந்து, இருவரும் தாமாகவே கண் மூடி அந்த சூழலின் இன்பத்தை அனுபவித்தனர். பின், கண் திறந்தபோது, ‘கவுன்சிலிங்கில் கிடைக்காத அமைதி கிடைத்ததாக சொல்ல…’ தாயார் மகிழ்ந்தார்.
இன்னொரு விஷயம்…
வீட்டில் பெண் குழந்தைகள் இருந்தால், அவர்களை தினமும் விளக்கேற்றும்படி சொல்ல வேண்டும்.
இப்படி செய்தால், அவர்களின் முகப்பொலிவு பன்மடங்கு கூடும். விளக்கேற்றிய வீடு, வீண் போகாது.

 பி.எஸ்.புஷ்பலதா in http://www.dinamalar.com

natarajan