“பசுமையின் மறு பெயர் சென்னை …” !!!

  • திருவல்லிக்கேணிக்கு பெயர் தந்த அல்லி மலர்
    திருவல்லிக்கேணிக்கு பெயர் தந்த அல்லி மலர்
  • புரசைவாக்கத்துக்கு பெயர் தந்த புரச மரம்
    புரசைவாக்கத்துக்கு பெயர் தந்த புரச மரம்
  • புளியந்தோப்பு
    புளியந்தோப்பு

இன்றைக்குச் சென்னையில் கால் பதிப்பவர்கள், வெப்பத்தால் புழுங்கிப் போவார்கள். ஆனால், நாடு விடுதலை பெறுவதற்கு முன்னர் தோப்புகள், தோட்டங்கள், காடுகளால் சென்னை செழிப்பாக இருந்திருக்கிறது. அதற்கான அத்தாட்சி, சென்னையின் பல பகுதிகளுக்கு இன்றைக்கும் வழங்கப்பட்டுக் கொண்டிருக்கும் பெயர்கள். ஒரு பகுதியில் செழித்திருந்த தாவரங்களின் பெயர்களே, அப்பகுதிக்குப் பெயராக வைக்கப்பட்டுள்ளன.

நிலத்தை ஐந்திணையாகப் பிரித்து, அந்த நிலப் பகுதிகளில் செழித்திருந்த மலர்களால் அப்பகுதிக்கே பெயரிட்ட மரபு நம்முடையது. அதன் தொடர்ச்சி என்று இதைச் சொல்லலாம்.

வரலாறு, பண்பாடு

“தொன்மையான, வளமான பண்பாட்டின் வழி வந்ததாலேயே இயற்கை சார்ந்த பெயர்களைத் தமிழகத்தில் அதிகம் பெற்றிருக்கிறோம். ஒரு பகுதியின் இயற்கை பண்பு – புவியியல் பண்பின் அடிப்படையில் பெயர் வைப்பது தமிழ் மரபு.

ஒவ்வொரு பெயரும் ஒரு கதை சொல்லும். ஒரு பெயரின் மூலமே அப்பகுதியின் தொன்மையையும் பண்பாட்டையும் தெரிந்துகொள்ளலாம். ஒவ்வொரு பெயரிலும் நிச்சயம் ஒரு வரலாறு அடங்கியிருக்கிறது. ஒரு பகுதியின் பழைய பெயரை மாற்றுவது, அப்பகுதியின் வரலாற்றையும் பண்பாட்டையும் அழிப்பதற்குச் சமம்” என்கிறார் பிரபலச் சுற்றுச்சூழல் எழுத்தாளர் சு. தியடோர் பாஸ்கரன்.

காரணப் பெயர்கள்

அல்லிக் கொடி நிறைந்த பகுதி திருவல்லிக்கேணி, தென்னை மரங்கள் நிறைந்த பகுதி தேனாம்பேட்டை, வேப்ப மரங்கள் நிறைந்த பகுதி வேப்பேரி, புளியமரங்கள் நிறைந்த பகுதி புளியந்தோப்பு, மல்லிகை அதிகம் மலர்ந்த பகுதி பூவிருந்தவல்லி… இப்படிச் சொல்லிக்கொண்டே போகலாம் (பார்க்க: பெட்டிச் செய்தி).

ஓரிடத்தில் எந்தத் தாவரம் பெருகி இருந்ததோ, அதன் பெயரால் அந்தப் பகுதி அழைக்கப்பட ஆரம்பித்திருக்கிறது. சூழலுக்கு இணக்கமாகவும் நெருக்கமாகவும் வாழ்ந்த நமது முன்னோர், நாடு விடுதலை பெறுவதற்கு முன்புவரை இயற்கை வளத்தைத் தங்களுடைய முக்கிய அடையாளமாகவும் கருதிவந்ததை இந்தப் பெயர்களில் இருந்து உணர முடிகிறது.

செழிப்பின் அடையாளம்

“ஒரு நிலப்பரப்பின் தன்மையைச் சொல்லவும், ஓரிடத்தின் சூழலியல் வரலாற்றின் அடையாளமாகவும் இந்தப் பெயர்கள் இருக்கின்றன. பனைமரங்கள் பெருகிய பனையூர் என்ற பகுதி மணற்பாங்கான கடற்கரைப் பகுதியாகவோ, ஏரிக்கரைப் பகுதியாகவோ இருந்திருக்க வேண்டும். மூங்கில் பிரம்புகள் செழித்திருந்த பெரம்பூர் நீர் நிரம்பிய ஏரிக்கரையாகவோ அல்லது ஈரம் மிகுந்த பகுதியாகவோ இருந்திருக்கலாம் ” என்கிறார் சென்னை கிறிஸ்தவக் கல்லூரி தாவரவியல் துறை துணைப் பேராசிரியர் டி. நரசிம்மன்.

இவற்றுடன் அடையாறு, கூவம், கொசஸ்தலை போன்ற ஆறுகள் ஓடிப் பாசனம் பெற்றதால் சென்னையின் பல பகுதிகளில் தோப்புகளும் தோட்டங்களும் அந்தக் காலத்தில் செழித்து இருந்திருக்கின்றன. இந்தத் தோப்புகளில் வளர்ந்தவை எல்லாமே நம் மண்ணில் இயல்பாக வளரக்கூடிய உள்நாட்டு இயல் தாவரங்கள். வறட்சியைத் தாங்கி வளரக்கூடிய இந்தத் தாவரங்கள், மக்களுக்குப் பல வகைகளில் பயன்தரக் கூடியவையாகவும் இருந்திருக்கின்றன.

இன்றைய நிலை

“சென்னைக்குப் பெயர் தந்த பல தாவரங்கள் பண்பாட்டு ரீதியில் முக்கியத்துவம் வாய்ந்தவை. பல்லாவரம் பகுதியில் இலுப்பைத்தோப்பு என்றொரு பகுதி இருக்கிறது. இந்தத் தோப்புகளில் இருந்த இலுப்பைக் காய்களில் இருந்து எண்ணெய் எடுக்கப்பட்டு, கோயில்களில் விளக்கு எரிக்கப் பயன்படுத்தப்பட்டுள்ளது” என்கிறார் பெண்கள் கிறிஸ்தவக் கல்லூரி தாவரவியல் துறை உதவி பேராசிரியர் ஆர். பாலின் டெபோரா.

ஒரு காலத்தில் ஓரிடத்துக்கே அடையாளமாகத் திகழ்ந்த இந்தத் தாவரங்கள், இன்றைக்கு அங்கொன்றும் இங்கொன்றுமாக ஒரு சில வீடுகளில் பிழைத்திருக்கின்றன. புரசைவாக்கத்துக்கு பெயர் தந்த புரச மரம், கங்காதீஸ்வரர் கோயிலில் தலவிருட்சமாக ஒன்றே ஒன்று நிற்கிறது.

இப்படியாகச் சென்னையைச் செழிப்பாக வைத்திருந்த அந்தத் தோப்புகள், தோட்டங்கள், காடுகள் எதுவும் இன்றைக்கு மிச்சம் இல்லை என்பதுதான் நிதர்சனம். ஆனால், பெயர்கள் மட்டும் அப்படியே பசுமையாகத் தங்கிவிட்டன.

பெயர்

காரணம்

திருவல்லிக்கேணி

திரு+அல்லி+கேணி ( அல்லிக் குளம்)

தேனாம்பேட்டை

தென்னை மரங்கள் நிறைந்த பேட்டை

புரசைவாக்கம்

புரச மரங்கள் நிறைந்த பகுதி

வேப்பேரி

வேப்ப மரங்கள் நிறைந்த ஏரி

புளியந்தோப்பு

புளிய மரங்கள் நிறைந்த தோப்பு

பனையூர்

பனை மரங்கள் நிறைந்த ஊர்

அத்திப்பேட்டை

அத்தி மரங்கள் நிறைந்த பேட்டை

பூந்தமல்லி

பூ+விருந்த+மல்லி (அ) மல்லிகை

பெரம்பூர்

மூங்கில் பெரம்புகள் இருந்த ஊர்

ஆலந்தூர்

ஆலமரங்கள் கொண்ட ஊர்

திருவாலங்காடு

திரு+ஆலம்+காடு

இரும்புலியூர்

இரும்புலி மரங்களால் நிறைந்த ஊர் ( வண்டலூர் அருகே)

திருவேற்காடு

வேல மரங்களால் நிறைந்த காடு

மாங்காடு

மாமரங்களால் நிறைந்த காடு

திருமுல்லைவாயல்

முல்லை தாவரங்களால் வரவேற்கும் பகுதி

‘Chennai green names’ கட்டுரையிலிருந்து சில பகுதிகள் பயன்படுத்தப்பட்டுள்ளன

NASA and The BallPoint Pen ….

NASA and the Pen

ballpoint-penThe humble ballpoint pen is an item so ubiquitous the chances of you not having one near you right now are so low E.T could probably give you the percentage on his right hand. Few people realize just how much technology, craftsmanship and effort goes into creating a single pen- probably because you can buy 30 of them for a few dollars, only to mysteriously have them all disappear within a week.

As the name would suggest, ballpoint pens work by utilizing tiny metal ball bearings. In the case of the most famous ballpoint pens of all, Bic, the ball is commonly made from tungsten carbide, which is notably the same material often used to make armour piercing bullets. After the material has been shaped, it’s then highly polished in a machine that uses a paste made from diamonds. Yes, we’re still talking about those pens banks give away for free and you’ve lost three of already today.

The polished ball is then loaded into a  socket. Due to the fact that the space available between these two parts is supposed to be virtually, but not quite, nil, they need to be accurate to within a thousandth of a centimetre on the ball. If any flaws whatsoever are discovered in the ball bearings during production, it’s not uncommon for thousands of others of these balls that were created alongside the flawed one to be destroyed as well. In fact, to see any imperfections on a ballpoint pen’s ball bearing that makes it to market, you need an electron microscope.

So how does the ink even get out? Well, it works mostly via gravity. Gravity pulls the ink down onto the ball which transfers ink as it is dragged along or pressed against paper or a comparable surface. However, the ball bearing also creates a pressurised seal that prevents excess ink from escaping. The mechanism allows for a continuous flow of ink to be used, without risking the ink inside being exposed to air, and in turn drying out. This allows ballpoint pens to write around 100,000 words each. The long and short of it is, without gravity (or some sort of internal pressure source as in “space pens”), the ink won’t flow properly.

So this brings us to these space pens. As the story goes, when the space race was heating up, NASA invested millions (sometimes stated as billions) into developing a pen that would work in orbit. However, when the Russians went into space they just took pencils. It’s a famous story that is mostly false.

Although Soviet cosmonauts did use pencils in space for a time, so did the Americans.  However, it quickly became clear that pencils were  a very bad idea since they had a habit of breaking and sending tiny eye-seeking fragments of pencil lead and wood bits into the air. There were also some concerns over these fragments potentially damaging equipment, even perhaps causing a fire.

So there was a need for pens that could work in space. But, in fact, neither NASA nor the Russian’s invested any money into such a space device. Where NASA did waste money was, funny enough, on specially designed pencils, which further spurred the need to find a good alternative.  In 1965, they paid a whopping $4,382.50 ($31,949 today) for just 34 pencils made by Tycam Engineering Manufacturing Inc.  Needless to say, the public was not happy with the way their tax dollars were being spent in this instance. (And, in truth, contrary to what many seem to think today, investing tax dollars into the space race at all had tenuous public support at best in the U.S.)

At this point, you might be wondering, “If neither the Soviets nor NASA invested any money into the creation of a pen that could work in space, who did?”  Like Tang and Velcro (often incorrectly credited with having been invented by NASA, see: The Invention of Tang and The Accidental Invention of Velcro), the “space pen” was invented in the private sector and was simply popularized by NASA.

Specifically, the development of the space pen was undertaken solely by Paul C. Fisher and co. of the Fisher Pen Company. After investing over a million dollars of his own money in creating a pen that utilised pressurised nitrogen (35 psi) to force out a specialized unique gel-like ink Fisher formulated, by 1965 he was in possession of a patent and a pen that could work upside down,  underwater, at temperatures from -50 to 400 degrees Fahrenheit (-45 C to 204 C), and even, you guessed it, in space.

When Fisher brought his “AG-7″ pen to the attention of NASA, they tested it thoroughly and then thanked Fisher by buying four hundred pens from him. But he didn’t get the Tycam Engineering rate of $128.90 per writing device.  Rather, they asked for a bulk discount and Fisher ended up selling them the pens for just under $2.39 a piece ($17.42 today), approximately 40% off the normal consumer price at the time of $3.98. Then again, having NASA (and by 1969 the Soviet Union) use his product in space was great advertising; so he did OK and versions of the Fisher space pen are still available today (and write awesome, I might add).

This price of $2.39 for a pressurised space pen is not only notable for being 40% off the consumer price, but also notable because a mere two decades before, a standard ballpoint pen would cost you at its cheapest 5-10 times that, well over $100 when adjusting for inflation. This all changed thanks to one Marcel Bich in the mid-1950s.

But before we get to Bich, we must discuss a newspaper editor named László Bíró. While in Hungary in 1931, Bíró observed that the ink used in a printing press dried almost instantly.  He, like so many others, was also frustrated by the fact that fountain pen ink often smudged, among other annoyances. Thus, he attempted to create a pen that worked with this type of newspaper quick drying ink.  His early efforts using fountain pens with this ink failed, which led him to attempt a ballpoint style pen. But the ink still wasn’t quite working. Fast-forward to 1938- after working with his chemist brother, György, the two developed an ink that would dry near instantly, but still flow well. Bíró also perfected a semi-new system that would deliver that ink effectively. So it was that on June 15, 1938, Bíró patented the first commercially viable ballpoint pen.

As with most inventions, the system he came up with, the one involving a small precisely made ball and socket, wasn’t entirely unique. For instance, a near identical invention had been developed and patented some 50 years earlier in 1888 by John J. Loud. However, Loud developed the device as a means of marking and writing on leather (something fountain pens couldn’t do well). A lack of interest in his invention, as well as poor performance of the device due to flaws in the design, prevented it from becoming commercially successful and he never renewed his patent.  Many others came along in between Loud and Bíró with similar devices that were similarly failures for various reasons such as uneven ink-flow, clogging, and leakage.

In the end, Bíró’s pens were the first commercially viable ballpoint writing devices. Because of this, not only is he generally given credit for inventing the ballpoint pen, but the name by which many ballpoint pens are still known by in many parts of the world today is “biro”.

Of course, Bíró’s pens were ludicrously expensive compared to the ballpoint pens we can buy today. Despite this, they were considered hugely superior to other types of pens, mainly due to the fact that they required no external ink and that they worked in a variety of conditions. The British air force, in particular, were fond of biros produced by the Miles Martin Pen Company due to the fact they worked at varying pressures and altitudes. (Fountain pens were giving the British air force fits at high altitude.)

This all brings us back to Bich and how ballpoint pens finally became not only extremely popular, but ridiculously cheap given the precision required in their making.  Bich saved his money until he could afford to buy a rundown factory in France- a factory that would soon become the centre of his massive pen empire.  After acquiring the factory, Bich bought the rights to Bíró’s ballpoint pen patent and perfected the means of mass-production while maintaining quality.  He then started creating as many pens as he possibly could.

As he mass produced millions upon millions of them, Bich was able to undercut his biggest rivals and sell pens that were as much as one three hundredth of the then normal price. In addition, due to his exacting mass production methods, along with being hundreds of times cheaper, his pens were also better quality in terms of their utility- “Writes the first time, every time,” as the 1960s company advertising slogan went. Needless to say, sales, and the popularity of the ballpoint., skyrocketed and by the time Bich entered the American market, he was able to sell pens for mere pennies, instead of dollars. And the rest, as they say, is history.

Source::::Today i foundout.com

Natarajan

An Intriguing Connection ….

A painting in the manner of Indian calendar art on the wall of a Yazidi temple in Lalesh, Northern Iraq. The Yazidis, facing attacks by IS militants, are a Kurdish-speaking minority in Iraq. Their religion is said to have similarities with Hinduism. They worship Melek Tawwus, or the Peacock Angel. Photo: Eric Lafforgue

A painting in the manner of Indian calendar art on the wall of a Yazidi temple in Lalesh, Northern Iraq. The Yazidis, facing attacks by IS militants, are a Kurdish-speaking minority in Iraq. Their religion is said to have similarities with Hinduism. They worship Melek Tawwus, or the Peacock Angel. Photo: Eric Lafforgue

Source::::The Hindu

Natarajan

Independent India”s First Postal Stamp in Google Doodle …

Celebrating India’s 68th Independence Day, Google today posted a doodle on its homepage featuring the independent India’s first stamp.

The blue colour stamp with the Indian tricolour is the doodle that comes up when you open the Google’s India homepage.

The stamp, which was issued on November 21, 1947 depicts the Indian flag with the slogan ‘Jai Hind’ on the top right hand corner. Priced at three and one-half annas, the stamp was meant for foreign correspondence.

The logo of Google starts with a ‘G’ but with the saffron colour, the colour of the top stripe in the Indian flag.

The next two letters are covered by the stamp and the last three letters are in the green shade of the Indian flag.

“Doodles are the fun, surprising, and sometimes spontaneous changes that are made to the Google logo to celebrate holidays, anniversaries, and the lives of famous artists, pioneers, and scientists,” the global internet giant said.

Keywords: Independence DayGoogle doodle,

Source::::The Hindu

Natarajan

This Day …15 August…. That Year in 1947 ….@ Madras….

The front page view of The Hindu, dated August 15, 1947.
The Hindu ArchivesThe front page view of The Hindu, dated August 15, 1947.

Deepa Alexander digs through editions of The Hindu of August 1947 and rediscovers the city’s first dawn of freedom

Celebrate with Nehru guns, Freedom sparklers and Ashoka wheels for Rs. 5,” advertised T.S. Abdeally and Bros.

P. Orr & Sons sold Vertex pocket watches for a special price of Rs. 65. Frank Capra’s classic, It’s A Wonderful Life, was playing at New Elphinstone. Madras Theatres celebrated with no shows “and a special bonus to staff”.

There is more than a century of information in The Hindu archives and it threatens to wash over me. The staff hefts the big blue file with August 1947 emblazoned on it, and turn the chemically-treated yellowing pages to the edition dated August 14.

“Quit India.” “Jai Hind.” “Satyameva Jayate”. “Vande Mataram.” A million rallying cries. Momentous though it was, the memory of our first Independence Day has faded with time although its emotional resonance never lost its glow. These pages are a chronicle of its people, hallowed by history, embellished by the celebration of our freedom struggle.

August 15, 1947 was also a Friday, like this year, a day of thundershowers according to the weather report in The Hindu, priced then at 2 annas.

Advertisements and announcements meld into the tale. Historical figures flit in and out of the pages. But the festivities in the city and across India began a day earlier, on August 14.

A page from the August 17, 1947 edition. Photo: The Hindu Archives

The music lined up for the eve of Independence included concerts by Ariyakudi Ramanuja Iyengar at Gokhale Hall and organist Handel Manuel and a BBC violinist at St. Andrew’s Church. In an advertisement, Lady Colleen Nye, the Governor’s wife and patroness of the Madras Provincial Welfare FUND, urged citizens to proudly wear the National Flag.

At another level, the edition was pure political narrative. The editorial on page 4 urged France and Portugal to also “give up their colonial possessions in India”. The distribution of portfolios, the division of the Army between India and Pakistan and the renunciation of knighthoods and titles by S. Radhakrishnan, later the President, and R.K. Shanmukham Chetti, independent India’s first Finance Minister, crowded the pages.

At the same time, to celebrate the founding of Pakistan, a grand reception was accorded in Karachi to the Mountbattens “who flew down in their personal York”, even as fires raged in Lahore.

A BRIDGE TO THE PAST The Tricolour fluttering atop the flag mast at Fort St. George on August 15, 1947 was the first symbol of free India in Madras. Photo: V. Ganesan

Madras remained untouched by the epic spasms of the violence of Partition. Although prohibitory orders in the city “were to be enforced for bundobast”, radio sets were installed at various parks so that the public could listen to AIR broadcasting the assumption of power ceremonies, flag hoisting at India Gate, and poems by Hafeez Jullundhuri. In Mylapore, Rukmini Devi inaugurated the Fine Arts Society at Vivekananda College.

All through the evening and night, happy throngs of people visited places of worship, invoking the gods to bless their new nation. In a spirit of unity, people of all communities and castes wore the flag. “It is difficult to see even a single person without wearing a National Flag”, says an article. The Tricolour also fluttered atop almost every building in the city, Government or private, with the merchants of Madras taking the lead in illuminating the buildings.

On August 15, the newspaper brought out a free 20-page supplement, its cover page in the colours of the flag, with the words ‘Dominion of India’ proudly emblazoned. Inside was a collector’s edition of articles by eminent persons — ‘Birth of Great Asiatic Power’ by K.M. Munshi, ‘The Saga of the Nehrus’ by Krishna Huthee Singh and ‘Patriotism of India’s Press’ by Leonard W. Matters, the Australian-born London representative of The Hindu.

‘Free India is Born’, screamed the headline with the editorial ‘A Red Letter Day’ announcing “India enters the comity of free nations today, an equal among equals”. Texts of speeches by Jawaharlal Nehru and Rajendra Prasad ran alongside congratulatory messages from King George VI and other world leaders. While people in Delhi toasted the nation and the king, India Office, the seat of power for nearly a century, closed down unsung. Trains filled with refugees, the coaches smeared with taunts, were drawing in at stations in Punjab and Bengal.

The Chief Justice of Madras administering the Oath to H. E. Sir Archibald Edward Nye, the Governor of Madras, at the Secretariat, Fort St. George, on August 15, 1947. Photo: The Hindu Archives

Madras, however, heard the endless sweet echo of M.S. Subbulakshmi who performed on AIR that evening at 8. ‘Freedom’s Progress Through The Years’, a photographic journey of the most iconic moments of our struggle was published alongside advertisements by Bosotto HOTEL and Spencer and Co.

Independence brought freedom of a more visible nature to a whole category of people. Jail doors opened for many convicts who had been granted pardon. Many INA leaders were also released.

The celebrations of August 15 are reported in the August 17 edition: how trumpets that sundered the morning air when the Governor of Madras, Sir Archibald Nye, in a final burst of British pomp and glory, unfurled the Tricolour at Island Grounds; how O.P. Ramaswami Reddiar, Prime Minister (which was how the post of Chief Minister was then designated) hoisted the flag at Ripon Building, the headquarters of the Corporation, to cries of unrestrained happiness. This was after both were sworn into their new offices by the Chief Justice of the Madras High Court, Frederick Gentle. The swearing-in was held at Fort St. George, in the crowded Cabinet Room, photographers capturing the moment in a blitz of flashbulbs.

Horsemen in glistening jackets and GOLD sashes stood amidst the large crowds that streamed along the beachfront to Fort. St George, to gaze with pride at the Indian flag fluttering over the first fort of the British East India Company. It is a picture that holds pride of place in that edition.

On that page is the story of how the world map was redrawn one night. It’s a page that defines what India was, and is. It’s a page that defines us.

Keywords: The HinduIndia IndependenceIndependence DayFort. St George,

Source:::: The Hindu

Natarajan

Message Given by HH Mahaperiavaa on 15 AUGUST 1947…

MESSAGE GIVEN BY HIS HOLINESS PUJYASHRI CHANDRASEKHARENDRA SARASWATHI MAHASWAMIJI on 15 AUGUST 1947 – Independence Day ]

On this happy occasion when our country Bharat has attained Independence, the people of this ancient country must pray whole heartedly and with one mind to Sri Bhagavan. Let us all pray to God to vouch safe to us strength of mind and energy to engage ourselves more and more in attaining spiritual knowledge. It is only by the grace of Almighty that we can safeguard the freedom that we have achieved and also help all the living beings on earth to lead a happy life.

It is worthy to note that luckily the Chakra of Bhagavan, who is the embodiment of Dharma, has its place in the centre of our National Flag. This Chakra reminds us of the moral values enjoined by Emperor Ashoka, who is historically famous as Devanampriyaha. Further, the Chakra makes us contemplate on the spiritual discipline imparted by Bhagavan Krishna in the Bhagavad Gita. That Dharma which shines in the form of a Chakra is clear from Lord Krishna’s reference to the Chakra as “Evam pravartitam chakram” in Verse 16 of the III chapter of the Bhagavad Gita. Also in Verses 14 and 15 of the same chapter Bhagavan avers that ” The human body originates from food, food grains grow because of rains, rain showers because of performance of Yajnas(Vedic Sacrifices), these Yajnas are prescribed in the Veda and that the Veda has emanated from Brahman who is in the form of Akshara(Sound recorded as letter of the alphabet)”. Thus, the Dharma Chakra explains to us that the supreme Brahman is manifest in Vedic sacrifices. May this Independence, dawning with the rightful remembrance of Emperor Ashoka, grant us such fruits as Aram(Dharma or Righteousness) Porul(Wealth), Inbam(Happiness) and Veedu(Moksha – deliverance), by the grace of God.

There are three stripes in our National Flag. They are of dark green, white and orange colours. These colours seem to indicate to us, that military strength for protection from enemies and evil, wealth for welfare and prosperity, and knowledge for the sake of proper administration are essential for the nation. It may be remembered that dark green is the colour of Durga – the Parasakti who is the mother protector, Mahalakshmi, the goddess of wealth and prosperity is of orange colour(golden hue) and Saraswathi the source divine of all knowledge is white in colour. It is a happy coincidence that the colour of the three Shakthis(Goddesses of Power) are seen in the three stripes of the National Flag.

For long, the Indian Nation has strived hard for winning freedom. By the grace of God, by the blessings of great men, and by the unique sacrifice of the people, independence has been won. Let us all pray to the Omnipresent God to shower his grace so that with the hard won freedom, our country becomes prosperous, is rid of famine, and there are no social skirmishes and the entire nation lives in an atmosphere of amity and kindness.

Now that freedom has been attained by the nation, all of us must also try to develop Independence. If we understand ourselves fully we may consider ourselves as independent. We are not capable of controlling the senses. We are unable to suppress desire and control anger, which always troubles us. Whichever thing in whatever measure we obtain does not lead us to contentment. Worldly sufferings cause worry to us. The mind gets confused on noticing these sufferings. What is the way out of all these? we must try to control, albeit gradually the mind which has been functioning vigorously for such a long time. Once the mind is set at rest, we will not be in need of anything. That state of mind which ensures complete freedom is what we must attempt to achieve.

Every day atleast some time should be set APART for practising the control of mind and bereft of other thoughts, we must meditate upon God. Then gradually, the mind will become calm, whereupon we will have the mental power to subjugate desire and anger. Spiritual knowledge will accrue fast for him who practises such meditation. Only these who attain such true spiritual knowledge can truly be independent citizens.

Any woman other than one’s wife must be respected as one’s own mother. We must regard other living beings as we would regard ourselves. Even at the risk of death, truth alone must be spoken. Petty social feuds must be averted totally, Every one must strive for improving his knowledge and his spiritual attainments and move with others in an atmosphere of kindness. We must sincerely wish that all people should live happily and peacefully.

Dharmo Rakshati Rakshitaha

Attachments:

Maha Periyava addressing with Bilva Maalai ....jpg

Source::::www.periva.proboards.com

Natarajan

Read more: http://www.periva.proboards.com/thread/4889/message-periyava-given-independence-august#ixzz3A9sk0EjA

” நம்ம சென்னை … ஒரு புகைப்பட தொகுப்பு …”

An aerial view of Marina beach
01
Chennai, or Madras as it was formerly known, lies on the Coromandel Coast. As the capital of Tamil Nadu, it has been an important centre of regional politics and economy, but it is equally well-known for its vibrant culture and culinary landscape.

Marina Beach
02
Chennai’s Marina Beach covers a distance of 13 km, making it the longest natural city beach in India and the second longest in the world. It runs from Fort St. George in the north to Besant Nagar in the south. It’s one of the most popular hangouts for Chennai residents. Here, a boy somersaults at Marina beach, early in the morning.

Marina beach
03
The Marina beach is dotted with numerous food stalls, statues and memorials of political leaders, shops and joyrides. Here, a vendor carries a basket containing onions and potatoes to prepare Chilli Bhaji, a popular local snack, at his stall which has been decorated with green chillies to attract customers.

Kapaleeshwar Temple
04
Chennai has numerous beautiful Dravidian-style temples. The Kapaleeshwarar Temple is one of the city’s oldest and best-known temples. Originally built in the 7th century, it is dedicated to Shiva and located in the neighbourhood of Mylapore.

San Thome Basilica
05
The San Thome Basilica is the best testament to Chennai’s vibrant and multi-cultural history. This Roman Catholic basilica was built in the 16th century by Portuguese explorers, over the tomb of St Thomas, an apostle of Jesus. It was rebuilt in its present Neo-Gothic architectural style by the British in 1893.

Food in Chennai
06
Tamil cuisine has a wide range of vegetarian as well as non-vegetarian delicacies. Its flavourful and makes liberal use of local spices and condiments. Chennai is blessed with restaurants that cater to all budgets, and offer local dishes from within Tamil Nadu, as well as the cuisines of its neighbouring states.

Shopping in Chennai
07
Tamil Nadu has a vibrant tradition of textile weaving. Chennai has innumerable shops selling the region’s famous silk saris. The most popular among these are the Kanchipuram variety, which are named after the city in which they are woven. Made with heavy silk and zari, these make for excellent gifts and heirlooms.

Spencer Plaza
08
The Spencer Plaza is an important Chennai landmark that dates back to colonial times. Originally built as a departmental store in the 19th century, it was reconstructed in 1985. It contains over 400 stores, while its atrium has been built in the Indo-Saracenic style of the original building.

A bharatanatyam performance
09
Chennai has a vibrant music, dance and theatre scene. It is one of the important centres for Bharatanatyam, a classical dance form. It’s also known as a hub for Carnatic music and hosts the annual Madras Music Season, which includes performances by hundreds of artists.

Kalakshetra Foundation
10
The Kalakshetra Foundation is a cultural academy dedicated to Bharatanatyam, one of the oldest classical dance forms taught and practiced in India. It was founded by dancer Rukmini Devi Arundale in 1936, and has had a long and illustrious history as a centre for the arts. The campus is open to visitors, who can see its museum and crafts centre, and learn about the rich living traditions that are practised here.

Theosophical Society, Adyar
11
The vast complex of the Theosophical Society is located next to the Adyar River in south Chennai. It houses shrines of various faiths, such as Hinduism, Christianity, Islam and Buddhism. Its gardens contain a huge variety of trees, but their highlight is undoubtedly the 400-year-old Adyar Banyan Tree with vast, sprawling roots.

Dakshinachitra
12
Spread across ten acres, Dakshinachitra is a heritage village located south of Chennai. It recreates the traditional architecture of homes in several south Indian states, and has demonstrations by potters and craftspersons, and performances by folk dancers.

Mamallapuram
13
Chennai is also a convenient base to make trips to some of southern India’s most important heritage sites. Mahabalipuram, also known as Mamallapuram, is an ancient port town, located close to Chennai. Now a UNESCO World Heritage Site, it is dotted with beautiful temples and monuments built between the 7th and the 9th centuries.
Source::::: http://www.happytrips.com/  and The Hindu
Natarajan

When Bharathi Came Third in a Poetry Contest … !!!

Bharathi and his wife Chellammal. Photo: N. Sridharan

Bharathi and his wife Chellammal. Photo: N. Sridharan…THE HINDU

When the poem, Senthmizh Naadenum Pothiniley Inbathen Vanthu Payuthu Kaathinile, was submitted for a competition in the early 1900s, it secured only the third place.

Senthmizh Naadenum Pothiniley Inbathen Vanthu Payuthu Kaathinile, is among the most famous songs of Tamil nationalist poet Subramania Bharathi. Few in Tamil Nadu will fail to recognise the song, or not be carried away by its tune. Yet, can you believe that when the poem was submitted for a competition organised by a city-based association in the early 1900s, it secured only the third place?

“The prize money was Rs. 100. V.V.S. Iyer was upset with the decision of the association. But, Bharathi did not take it seriously. He consoled us by saying that the association might have decided the winner in advance,” reminisced Yathugiri Ammal, the daughter of Mandayam Srinivasachariyar, who ran the India weekly.

Bharathi was the magazine’s editor and the families of the poet, Srinivasachariyar and V.V.S. Iyer, had moved to Puducherry to escape persecution by the British government in Madras. At that time, the young poet was in dire straits and had agreed to participate in the competition after being persuaded by Yathugiri Ammal and others.

Her book Bharathi Ninaivugal, covering the period between 1912 and 1918, gives rare insights into the poetic mind of Bharathi, his ability to compose poems set to Carnatic tunes that flew spontaneously from his mind and his extraordinary concern for fellow human beings.

Noted Bharathi scholar late R.A. Padmanabhan, in the preface to the memoir, which was first published in 1954, regretted that the book could not see the light of the day when the author was alive.

The families of Bharathi and Yadhugiri Ammal returned to Chennai after a few years in French-ruled Puducherry. While Bharathi’s family lived in Thulasinga Perumal Street in Triplicane, Yathugiri Ammal’s family moved to a house at Peyazhwar Street.

While in Puducherry, Yathugiri Ammal, a child, used to accompany Bharathi and his daughters to the beach and on one occasion, he shocked everyone with his gesture towards a snake-charmer who was clad in only a loincloth. Without a second thought, Bharathi removed his dhoti and gave it to the poor man after covering his body with the shawl on his shoulder. The poet had also chided Yadhugiri Ammal for dropping a coin in the sea as a ritual, instead of giving it to the snake-charmer.

Source:::::The Hindu

Natarajan