
SOURCE:::: http://www.glasbergen.com
Natarajan
Jan 22 2015

Changi airport, Singapore (opening 2018)
Architect Moshe Safdie – who designed the iconic Habitat 67 housing complex in Montreal – began construction on a new development at Singapore’s Changi airport in December 2014. Featuring a ‘Forest Valley’, ‘Jewel Gardens’ and a 130ft-high (40m) waterfall called a ‘Rain Vortex’, it looks more like the Land of Oz than an air hub; trees, palms and ferns are enclosed within a 134,000sq m glass dome. Scheduled for completion in 2018, the Jewel complex will be linked by pedestrian bridges to existing terminals, offering space for shops and restaurants alongside the foliage. Safdie has said that the project is “the prototype of a new kind of urban place”. (Safdie Architects)

Mexico City international airport, Mexico (opening 2018)
In September 2014, British architecture firm Foster and Partners won a competition to design what will be one of the world’s largest airports when it is completed in 2018. Working with Mexican firm Fernando Romero Enterprise, Foster and Partners unveiled plans for a 555,000 sq m terminal enclosed within a lightweight shell. The new international airport for Mexico City has been designed to accommodate increasing passenger numbers and has echoes of Foster’s plans for the world’s first private spaceport in New Mexico. The structure is pre-fabricated, allowing for rapid construction without scaffolding. The new building will harness the sun’s energy as well as collecting rainwater and maintaining interior temperatures using natural ventilation. (Foster and Partners/Fernando Romero Enterprise)

Mumbai’s Chhatrapati Shivaji international airport, India (opened 2014)
Designed to reference the feathers in a peacock’s tail – and mirror traditional Indian open-air pavilions – the concrete canopy on this new terminal is part of a wider trend to reflect local architecture within airports. This addition to Mumbai airport was opened in February 2014 and is the vision of US firm SOM, whose website says that “just as the terminal celebrates a new global, high-tech identity for Mumbai, the structure is imbued with responses to the local setting, history, and culture”. (Robert Polidori/SOM)

Shenzhen Bao’an international airport, China (opened end of 2013)
Covered with a honeycomb pattern and a whopping 1.5km (0.9 miles) long, the new terminal at Shenzhen Bao’an was designed to evoke the shape of a manta ray, according to its architects Studio Fuksas. The architects rather poetically describe it as “a fish that breathes and changes its own shape, undergoes variations, turns into a bird to celebrate the emotion and fantasy of a flight”. The design continues into the interiors, its hexagonal skylights allowing natural light in with a dappled effect. (Archivio Fuksas)

Chongqing Jiangbei international airport, China (opening 2015)
Architects ADPI continue the trend towards green space in airports in their plans for a new terminal at Chongqing Jiangbei. With two wings referencing Chongqing’s two rivers, the structure is set within a park: once completed, the terminal will be able to handle 55m passengers a year, ranking the airport among the world’s 15 largest. (ADPI)

Pulkovo International Airport, Russia (opened 2014)
Designed by Grimshaw architects to work with the extremes of climate in St Petersburg, the new terminal at Pulkovo airport features monumental folded ceilings clad in metal panels that recall the gilded spires of churches in the city. A series of linked zones is intended to reflect St Petersburg’s landscape of islands and bridges. Opening in February 2014, the building has a large flat roof with folded structures beneath that distribute weight away from the middle to offer support during heavy snowfall. Once construction on a second and final phase of the project is completed in 2015, the airport will cater for 17m passengers a year. (Grimshaw)

Istanbul New Airport, Turkey (opening 2019)
Grimshaw is also in charge of a team designing a new six-runway airport in Istanbul which aims to accommodate 90m passengers a year once it opens in 2019, before increasing its capacity to 150m after completion. Featuring a vaulted canopy, the airport’s Terminal One will cover a site of nearly 100 hectares (0.4 sq miles) – the architects say it will become the “world’s largest airport terminal under one roof” once finished. “We were inspired by the local use of colours and patterns, the quality of light and how it penetrates buildings, as well as by traditional architecture such as the Süleymaniye Mosque,” claims Tomas Stokke, the director of Haptic, which is collaborating with Grimshaw and Nordic Office of Architecture on the project. (Grimshaw/Nordic Office of Architecture/Haptic)

Mount Fuji Shizuoka airport, Japan
Pritzker Prize-winner Shigeru Ban is designing a terminal for the airport at the base of Mount Fuji. Inspired by the tea plantations surrounding the mountain, his plans include green barrel vaults. Inside, natural light is diffused by a roof canopy made out of twisted laminated wood – latticing being a signature style of the Japanese architect. (Shigeru Ban)
SOURCE::::
The Unreal Paintings of Robert Gonsalves |
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Canadian artist Robert Gonsalves creates beautiful paintings. However, his paintings go a step further than beautiful, they each play with the border between reality and the surreal. his work has also been influenced by Salvador Dali and Rene Magritte, who he had the pleasure of meeting.
A quick glance at one of his paintings will never do, because there is always more than one image on the canvas, depending on how you look at it. This is among my favorite types of creative art, the kind that unfolds in both meaning and beauty.
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SOURCE:::: http://www.ba-bamail.com
Natarajan
Jan 21 2015
If you want to call someone lazy, a time-honoured way to do so would be to call them a “couch potato”. But why is it we compare lazy people to potatoes and why on Earth did some random guy own the trademark rights to such a silly sounding expression?
Unlike most etymologies, we actually know theexact date that the phrase in question was first written down for mass public consumption as well as the exact date it was first spoken out loud. In regards to the former, the first time the phrase appeared in print was 1979 in an LA Timesarticle where it said, “…and the Couch Potatoes who will be lying on couches watching television as they are towed toward the parade route.” In regards to the latter, according to the man who coined the phrase, he first uttered it during a phone call on July 15, 1976.
More specifically, the man who breathed the phrase into existence is Tom Lacino. He stated he coined the phrase during “a phone call to a friend. His girlfriend answered, and it was just an off-the-top sort of thing when I said, ‘Hey, is the couch potato there?’ She looked over and there he was on the couch, and she started cracking up.”
Although Lacino claims that there was no real thought behind the phrase, other than that he thought it was a pretty funny way to describe his friend, linguists have noted that the phrase is actually a rather clever play on words. To explain, during the 1970s a popular term for the television was, “the boob tube” which was coined by people who believed watching television was a pursuit only enjoyed by the foolish. Since the edible part of a potato plant is known as a “tuber”, it is commonly believed that the phrase “couch potato” was intended as a clever combination of these two concepts. While that is an incredibly convincing and succinct explanation of the origins of the phrase and is repeated in many an etymological dictionary, we feel it is important to note again that when asked if there was any reason he called his friend a couch potato all those years ago, Lacino offered the verbal equivalent of a shrug in response. Of course, perhaps he simply forgot his reasoning. After all, it’s been nearly four decades since the momentous uttering.
While Lacino was perhaps not initially aware of the playful subtleties behind his utterance, his friend Robert Armstrong certainly was and after hearing the phrase repeated back to him by Tom, Armstrong asked Lacino for permission to turn it into a cartoon.
At the time this was taking place, both Lacino and Armstrong were members of a group calling themselves the “Boob Tubers” which was an orginization created in 1973 in humourous response to a growing health-craze movement in California at the time. In contrast to this movement, the main goal of the Boob Tubers was basically to sit in front of a television and eat junk food. While their goal was certainly a noble one, it didn’t really gain any traction until the phrase couch potato came along.
Armstrong, who was a cartoonist by trade, is the one credited with really pushing the phrase into mainstream lexicon when in 1979 under the new name of “The Couch Potatoes”, he, Tom and several others sailed a float in the Doo Dah Parade (an event meant to parody the more famous Tournament of Roses parade in Pasadena). The float, which literally consisted of nothing more than a few couches pointed at a couple of working TVs on which the group sat for the duration of the parade, was a huge hit and its subsequent media coverage resulted in the first known publicly written use of the term in the aforementioned 1979 LA Timesarticle.
Armstrong, inspired by the success, created a bunch of merchandise around the concept of a couch potato, even going so far as to publish a newsletter aptly called “The Tuber’s Voice: The Couch Potato’s Newsletter“.
Though Armstrong had the foresight to trademark the phrase in 1979, it was simply too popular. Despite his best efforts, the sheer ubiquity of the phrase in media and print meant that he could no longer claim exclusivity to it. As he found out when the New York Times‘ legal department responded to Armstrong’s legal team who stated, “Couch Potato is a registered trademark and not a generic term…”, attempting to get the Times to stop using it as such. The Times legal team responded,
“I am afraid that your letter overlooks the fundamental distinction between statements of fact and statements of opinion. Mr. Safire’s view concerning the wide acceptance of the term “Couch Potato” is clearly an expression of editorial opinion, and, as the Supreme Court has instructed, there is no such thing as a false opinion. Although you may disagree with this opinion, there is simply no basis for requesting a correction.”
Needless to say, neither the New York Times nor other media outlets were moved to stop using the term as a generic slang.
SOURCE:::: http://www.todayifoundout.com
Natarajan
Jan 21 2015