1947-ல் கூகிள், யூடியூப், ஃபேஸ் புக்……!!!

ஃபேஸ் புக், வாட்ஸ் அப் போன்ற சோஷியல் மீடியாவின் காலம் இது. ஏதாவது ஒண்ணு நடந்தா போதும் அடுத்த நொடியே அது தொடர்பான கலாய்ப்புகள் சமூக மீடியாவை நிறைத்துவிடுகின்றன. இப்பவே இப்படி இருந்தால் நாடு விடுதலை அடைவதற்கு முன்னதாகவே இந்த இணையம் வளர்ச்சி பெற்றிருந்தால் எப்படி இருந்திருக்கும்? இப்போது முன்னணியில் இருக்கும் ஃபேஸ்புக், வாட்ஸ் அப், ஃபிளிப்கார்ட், இன்ஸ்டாகிராம், கூகுள் போன்ற பல தளங்கள் அந்தக் காலத்திலேயே அறிமுகமாகியிருந்தால் எப்படி இருந்திருக்கும்? நினைக்கவே சுவாரசியமாக இருக்கிறதா?

இந்த எண்ணமே சுவாரசியம் தருவதால்தான் இந்த ஐடியாவை அடிப்படையாகக் கொண்டு, சுதந்திரத்துக்கு முன்னரே இணையம் வந்திருந்தால் எப்படி இருந்திருக்கும் என யோசித்திருக்கிறது இன்1947 என்னும் விளம்பர நிறுவனம். அப்போது இந்த இணையங்களில் எல்லாம் என்ன நடந்திருக்கும் என்று கற்பனை மவுஸைத் தட்டி யோசித்திருக்கிறார்கள். கூகுளில் எதைத் தேடியிருப்பார்கள், யூடியூபில் எந்தப் படத்தை அதிகம் பார்த்திருப்பார்கள், அன்று ஐஆர்டிசி வெப்சைட்டில் நிலை எப்படி இருந்திருக்கும்… இப்படி ஒவ்வொன்று குறித்தும் சுவாரசியமான கிரியேடிவ் டிசைன்களை உருவாக்கியுள்ளது அந்நிறுவனம்.

அவற்றை வசீகரமான படங்களாகக் கொண்ட ஒரு ஆல்பத்தை உருவாக்கித் தனது ஃபேஸ்புக் பக்கத்தில் பதிவிட்டது இன்1947. இதற்கு பெருவாரியான வரவேற்பு கிடைத்திருக்கிறது. ஆயிரக்கணக்கானோர் இந்தப் பக்கத்தை விரும்பியதுடன் சகட்டுமேனிக்கு ஷேர் செய்து தங்கள் சந்தோஷத்தை மற்றவர்களுடன் பகிர்ந்துகொண்டார்கள். அந்தப் படங்களில் சில இங்கே இடம்பெற்றிருக்கின்றன.

முழு ஆல்பத்தையும் காண: https://goo.gl/H0auG2

Source….www.tamil.thehindu.com

Natarajan

மீண்டு வந்த விநாயகர்…..

கடற்கரைப் பட்டினமான புதுச்சேரி, பிரெஞ்சுக்காரர்கள் வசமிருந்த காலம் அது. அப்போது புதுச்சேரியின் கவர்னராய் இருந்த பிரான்சுவா மர்த்தேன் (1674 1693), மணற்குளத்து விநாயகரை உள்ளூர் மக்கள் வழிபடுவதை தடுத்து நிறுத்த முயன்றார்.

இதனால் மனம் சலிப்புற்ற உள்ளூர் நெசவாளர்களும், பிறரும் தெய்வத்தைத் தொழ அனுமதியில்லாத ஊரில் குடியிருக்க வேண்டாம் என்று முடிவெடுத்து, ஊரைக் காலிசெய்துவிட்டு வெளியேற திட்டமிட்டனர். இதனைக் கேள்விப்பட்ட குவர்னர் பிரான்சுவா மர்த்தேன், இந்த நெசவாளர்கள் இல்லாவிட்டால், கிழக்கு இந்திய கம்பெனியின் வியாபாரம் பெரிதும் பாதிக்கப்படும் என்று உணர்ந்து, மணற்குளத்து விநாயகரை வழிபடுவதற்கு விதித்திருந்த தடையை விலக்கிக்கொண்டார். இப்படியான ஒரு கர்ணபரம்பரைக் கதை புதுச்சேரியில் உண்டு.

காலைப் பிடித்தேன் கணபதி நின்பதங் கண்ணிலொற்றி

நூலைப் பலபல வாகச் சமைத்து நொடிப்பொழு(தும்)

வேலைத் தவறு நிகழாது நல்ல வினைகள்செய்துன்

கோலை மனமெனு நாட்டி னிறுத்தல் குறியெனக்கே

என்று மகாகவி சுப்ரமணிய பாரதியாரால் பாடப்பெற்ற அரிய திருத்தலம் இது.

உலகமெலாம் படைத்தளித்தே ஒடுக்குநிலைக் களமாகி

இலகுபிர ணவவடிவாம் எழிலானை முகத்தவனே !

அலகிலருட் சித்தியெலாம் அளித்தருளும் ஐங்கரனே !

மலமகற்றும் புதுவைநகர் மணக்குளத்து விநாயகனே !

என்று யாழ்ப்பாணம் எஸ்.கந்தையா பிள்ளையாலும், இன்னும், தமிழிசைக்கு இலக்கணம் கண்ட வண்ணச்சரபம் தண்டபாணி சுவாமிகளாலும் போற்றிப் பாடப்பெற்ற, வினைகள் தீர்க்கும் இந்த மணக்குளத்து விநாயகப் பெருமானைப் பற்றி புதுச்சேரி வரலாறும், புதுச்சேரி நாட்டுப்புறக் கதைகளும் பலவாறான செய்திகளை நமக்குச் சொல்லுகின்றன.

மணக்குள விநாயகர் முன்னர் வெள்ளைக்கார விநாயகர் என்றே அழைக்கப்பட்டுள்ளார். இந்த ஆலயத்தின் தல புராணத்தின்படி, பிரெஞ்சு கவர்னர்களின் ஆட்சியிலிருந்தபோது, மணக்குள விநாயகரை அகற்றும் நெருக்கடிகள் ஏற்பட்டுள்ளன. விநாயகரின் சிலை ஒருமுறை கடலில் தூக்கியெறியப்பட்டதாகவும் தகவல்கள் உள்ளன. எல்லா நெருக்கடிகளிலிருந்தும் மீண்டு, விநாயகர் எங்கும் நகராமல் இங்கே குடிகொண்டுள்ளார்.

“மணக்குள” என்னும் சொல்லுக்கு இரண்டு வகையான பொருள் சொல்லப்படுகிறது. ஒன்று, மனம்+குளம் என்பது. அதாவது, இலைச்சருகு ஒன்று காற்றின் வேகத்திற்கு தக்கவாறு அசைந்து அசைந்து குளத்தில் வீழ்ந்து சிறு சலனத்தைத் தோற்றுவித்து பின் அமைதியைப் பரப்புவது போல, விநாயகப் பெருமானின் அருள், மனமாகிய குளத்தில் ஒரு ஞானச் சிலிர்ப்பைத் தோற்றுவித்து, அமைதியை நிலைப்படுத்தும் என்பதுவாம்.

இன்னொன்று, மணல்+குளம் என்பது. பழைய புதுச்சேரியில் மணலால் சூழப்பட்ட குளங்கள் நிறைய இருந்தன. அத்தகைய குளங்களில் ஒன்றின் கரையில் பிரதிஷ்ட்டை செய்யப்பட்டதால் “மணற்குளத்து விநாயகர்” மணக்குள விநாயகர் என்று மறுவி வழங்கப்பட்டு வருவதாகவும் கருத்து உள்ளது. அந்தக் காலத்தில் மக்கள், அந்த குளத்தில் நீராடிய பின்னரே இந்த ஆனைமுகக் கடவுளை வழிபட்டுள்ளனர்.

12 ஆண்டுகள் கும்பாபிஷேகம் காணாத இந்த ஆலயத்தில் கடந்த ஏப்ரல் மாதம் கும்பாபிஷேகம் நடத்தப்பட்டது. புதுவை மக்களின் காவல் அரணாக மணக்குள விநாயகர் அருள்பாலிக்கிறார்.

Source…..மகரந்தன்…www.tamil.the hindu.com

Natarajan

WHY DO THEY CALL GRANDFATHER CLOCKS BY THAT NAME?…..

J.Kaus asks: Why are Grandfather clocks called Grandfather clocks?

grandfather-clock

At first glance, the answer seems obvious. Think about it- when was the last time you saw a grandfather clock in the house of anyone under the age of 70?

Grandfather clocks- with their long cases, pendulums, echoing chimes, and Roman numerals- seem to belong to the world of courting parlors, Model-T Fords, silent movies, and going out on a date for an ice cream soda. In short, the world of grandparents.

Yes, this may seem logical and obvious, but the real reason these timekeeping devices (technically called “Longcase clocks”) picked up the grandfatherly nickname has nothing to do with grandparents per se.

So how did grandfather clocks get this name?  Here’s the scoop…

In 1875, an American songwriter named Henry Clay Work was visiting England. While there, he checked in to the George Hotel in North Yorkshire.

In the hotel’s lobby was a large pendulum clock. The clock had stopped long ago and just sat in the lobby, serving no apparent purpose. This unmoving clock fascinated Work and he asked about its history.

He was told a story by the proprietors, whether true or not (probably not) isn’t important to how grandfather clocks got their name. The story was that the clock had belonged to the inn’s previous two owners, the Jenkins brothers, both deceased. It seems the clock had kept perfect time during their lives, but when the first Jenkins brother died, the clock started becoming less accurate.

After this, the story went that the clock stopped completely dead- to the minute and second Jenkins brother had died.  Maybe because it was his job to wind it and nobody else wanted the task, you say? ;-) According to the story Work was told, it was actually because it broke.  Despite the best efforts of a host of repairmen supposedly hired by the new owners of the inn, they couldn’t get the clock going again.

Now, of course, what probably actually happened was the clock died and was prohibitively expensive to fix, but looked nice, so the new owners of the hotel came up with a great story for the clock to hide the fact that they maybe just didn’t want to pay to get it fixed nor have it hauled off.

Whatever the case, the bemused Work thought it was a great story.  Being a song writer, he then wrote a song about the incident. The song was called “My Grandfather’s Clock”, released in 1876.

The lyrics were as follows:

1. My grandfather’s clock was too large for the shelf, So it stood ninety years on the floor;

It was taller by half than the old man himself, Though it weighed not a pennyweight more.

It was bought on the morn of the day that he was born, And was always his treasure and pride;

But it stopp’d short – never to go again – When the old man died.

 

CHORUS

Ninety years without slumbering (tick, tick, tick, tick),

His life seconds numbering (tick, tick, tick, tick),

It stopp’d short – never to go again – When the old man died.

 

2. In watching its pendulum swing to and fro, Many hours had he spent while a boy;

And in childhood and manhood the clock seemed to know And to share both his grief and his joy.

For it struck twenty-four when he entered at the door, With a blooming and beautiful bride;

But it stopp’d short – never to go again – When the old man died.

(CHORUS)

 

3. My grandfather said that of those he could hire, Not a servant so faithful he found;

For it wasted no time, and had but one desire – At the close of each week to be wound.

And it kept in its place – not a frown upon its face, And the hands never hung by its side;

But it stopp’d short – never to go again – When the old man died.

 

(CHORUS)

 

4. It rang an alarm in the dead of the night – An alarm that for years had been dumb;

And we knew that his spirit was pluming for flight – That his hour of departure had come.

Still the clock kept the time, with a soft and muffled chime, As we silently stood by his side;

But it stopp’d short – never to go again – When the old man died.

The public went crazy over the song. “My Grandfather’s Clock” went on to sell over a million copies in sheet music, which was fairly unprecedented for the day (Work had previously set that precedent selling over a million copies of the song Marching Through Georgia, which is still commonly played by marching bands today).

The previous term for “grandfather clock”, the rather un-catchy “longcase clock”, was dropped almost immediately by the public in favor of the new moniker for the clocks.

With the advent of digital technology and atomic clocks, some clock lovers worry that the old pendulum-swinging grandfather clocks may not be long for the current timekeeping world. However, despite its inanity, H.C. Work’s song lives on. It was recorded multiple times in the 20th century, and as recently as 2004 by the R & B act Boys II Men. It’s a song that, like grandfather clocks, keeps on ticking.

Bonus Facts:

  • Henry Clay Work wrote and composed a total of 75 songs, most of which sold well.  The most popular of them, besides My Grandfather’s Clock and Marching Through Georgia, were: Kingdom Coming; Come Home, Father; Wake Nicodemus; and Thy Ship That Never Returned.
  • Besides composing music, Work also was an abolitionist, as was his father. Work’s family home was a popular stop on the Underground Railroad, helping runaway slaves get to Canada.  For this, Work’s father was imprisoned for several years.
  • Work was inducted into the Songwriters Hall of Fame in 1970.
  • Work’s cousin, Frances Work, was the great-grandmother of the late Princess Diana of Wales.
  • The first grandfather clock was created around 1680 by British clockmaker William Clement.  These tall style clocks were made possible thanks to the anchor escapement system, which allowed for much smaller motion in the pendulum than used to be necessary.  Before this system, pendulums in clocks needed 80-100° of swing.  After this mechanism was invented in the 1670s, a swing of just 4°-6° was all that was needed.  The advantage of the longer pendulum and shallower swing is that less power, in the form of weights driving the clock, was needed, as well as slower beats and less wear on the moving parts.  All this makes for better long term accuracy of the clock.
  • Grandfather clocks classically were made in 8 day and 30 hour varieties (lasting this length of time when wound up).  Eight day clocks used two weights, one for the striking mechanism to cause a chime at the appropriate moment, and one for driving the clock.  This would then typically require two winding holes (where you’d stick the winding “key” to wind the weights back up).
  • 30 hour clocks were cheaper, using the same weight to power the clock and chimes, thus only needed one winding hole, but needed winding every day.  However, because people often wanted to make other people think they owned a more expensive 8 day clock, some 30 hour clocks featured two holes, one for the actual winding hole, the other a dummy winding hole to make guests think it was an 8 day clock.
  • An alternative design to the “key hole” system was to use a chain or cable driven system, so instead of winding the weight back up, you pull the chain to raise the weights back up to the top to power the clock.
  • The melody that the vast majority of grandfather clocks use for their chimes is Westminster Quarters.  This little tune is thought to have been borrowed/inspired by Handel’s Messiah during the 5th and 6th measures of “I Know That My Redeemer Liveth”.  As to the person who first put this little ditty in a clock, Dr. Joseph Jowett was hired to make the tune, possibly with the help of Professor of Music, Dr. John Randall and/or one of Jowett’s students, William Crotch.  Whatever the case, the piece of music was written in 1793 for the St. Mary the Great clock at the University Church in Cambridge.  It was later adopted for the “Big Ben” clock at the Palace of Westminster, which is what spawned its widespread popularity.
  • The specific note sequence for the melody is in E major and is as follows (varies in length based on the time of the hour, but the full length is): g♯, f♯, e, b | e, g♯, f♯, b | e, f♯, g♯, e | g♯, e, f♯, b | b, f♯, g♯, e

Source….www.todayifoundout.com

Natarajan

Inventing Emoticons….

Inventing Emoticons

“Emoticons,” short for “emotive Icons,” (emotive meaning “appealing to or expression emotion” hence “icons that express emotions”) have been around in vertical form for some time. However, sideways emoticons seem to be a surprisingly recent invention, going back just about three decades.

“B4″ the days of LOL and apps to aid parents in understanding their teenager’s “textspeak”, a man named Scott E. Fahlman wanted his colleagues and students to understand the difference between a sarcastic joke and a nasty barb when typed.

Fahlman was part of a group of scientists and students at Carnegie Mellon University (CMU) who frequently communicated via an early online newsgroup to discuss a wide variety of topics. In these groups, if someone failed to understand that some sentiment was meant to be sarcastic or a joke, they would “post a lengthy diatribe in response,” explains Fahlman, “that would stir up more people with more responses, and soon the original thread of the discussion was buried. In at least one case, a humorous remark was interpreted by someone as a serious safety warning.”

So Fahlman came up with a sideways smiley and posted it on the newsgroup in September of 1982. The following is a copy of the original post.

“19-Sep-1982 11:44 Scott E Fahlman 🙂
From: Scott E Fahlman
I propose the following character sequence for joke markers: 🙂

Read it sideways. Actually, it is probably more economical to mark things that are NOT jokes, given current trends. For this, use :-(“

Fahlman thus became the first known person to use the 🙂 and 😦 emoticons. (Although, many have since claimed that they used it before him, without having any documented evidence to support their claims.)  Of course, Fahlman himself thinks it highly probable that other people were using these particular notations before him, being a very simple idea.

Regardless if they did, it was Fahlman’s post that popularized and spurred on the creation of new emoticons.  The idea caught on quickly at CMU and it soon spread to dozens of other universities, research labs, and computer networks. Some people even made a hobby out of compiling all sorts of smileys expressing various sentiments.

Fahlman didn’t archive the original thread, since he had no way of knowing it would ever prove to be of interest to anybody, let alone help change the way people communicate digitally.
So how do we know about it today? In 2001, Mike Jones of Microsoft sponsored a serious dig into the thread archives stored on old backup tapes to see if someone could find the origin post by Fahlman.  Jeff Baird, Howard Wactlar, Bob Cosgrove, and David Livingston at CMU managed to not only find the tape backups, but also to find a machine capable of reading the old tapes and decoding the information on them.  The original thread was found on those tapes on September 10, 2002, just nine days before the 20th anniversary of the post.

How has all this affected Fahlman? Well, Fahlman never made a dime off of emoticons, and throughout the birth and growth of the emoticon, he has remained with CMU, primarily working in Artificial Intelligence. “I am trying to create something that will have a greater impact than that stupid thing,” Fahlman says. That’s a tall order. 🙂

Bonus Emoticon Facts:

  • In an 1881 edition of the publication “Puck”, they suggested the vertical emoticons seen on your right.
  • Another early instance of a vertical emoticon was suggested in 1912 by Ambrose Bierce: \__/!  This vertical emoticon was to indicate a smile with an exclamation point at the end to indicate it was an ironical smile, thus to be used as an alternate punctuation for sentences that were referring to things ironic in nature.  While this may seem not very self evident, Fahlman states that a CMU research group was using \_/ to indicate a smile around the time he suggested the sideways smiley, though he wasn’t aware of it when he made his suggestion and it isn’t clear whether that usage came before his.
  • Yet another earlier emoticon was suggested in the New York Times in 1969 when Vladimir Nabokov was asked “How do you rank yourself among writers (living) and of the immediate past?”  He responded, “I often think there should exist a special typographical sign for a smile — some sort of concave mark, a supine round bracket, which I would now like to trace in reply to your question.”
  • Abbreviations like “lol” and the like didn’t just come about because of the internet. According to the April, 1857 edition of The National Telegraphic Review Operators Guide, in Morse code, the number 73 was used to succinctly say “love and kisses”.  This was later changed to mean “best regards” and “love and kisses” got changed to the number 88.  There were numerous other shorthand codes used in Morse code “chatspeak”.
  • One of Abraham Lincoln’s speeches may have included an emoticon or it may have simply been a typo (read: it almost certainly was a typo).  The transcript of the speech was printed in the August 7, 1862 edition of theTimes, where it stated, there is this line “… but it is also true that there is no precedent for your being here yourselves, (applause and laughter 😉 and I offer, in justification of myself and you, that I have found nothing in the Constitution against.”

Harvey Ball got forty five dollars for designing the first yellow smiley face. Ironically, the smiley face was born in unhappy days at the State Mutual Life Assurance Company. The company had purchased the Ohio firm, Guarantee Mutual, and the takeover made working conditions in the company unfriendly and almost hostile. The State Mutual Vice President suggested a “friendship campaign” and hired Ball to design something that would boost morale at the company and asked him to design something “smile” oriented.  After Ball’s death in 2001, the LA Times wrote about his work. “Ball started sketching. Fearing that a grumpy employee would turn the smile upside down into a frown, he added the eyes. He settled on yellow for the background because it was a ‘sunshine’ color. The work took about 10 minutes.”  The company distributed 100 pieces of this smiley in 1964 and asked employees to smile while they answered phones and dealt with customers. Before long, the yellow smiles were so popular that the company kept on reordering them in batches of 10,000 to fill requests by companies and agents. Soon the yellow smiley face was a popular culture icon.The LA Times reports that “By 1971, more than 50 million smiley face buttons had been sold, and the image was popping up on coffee mugs, stickers, T-shirts and countless other items.” Ball never trademarked or copyrighted the design and made no money on it after the initial $45.  Others profited immensely from it, including some in other countries who did manage to acquire the rights to the yellow smiley and sue others who were using it without paying.

Source…www.todayifoundout.com

Natarajan

 

Chennai’s Colonial Era LandMarks….

Chennai's colonial-era landmarks

Photo: Nathan G./Mint

The port city has drawn traders from far and wide to set up shop. Here are six pre-Independence establishments that are still thriving

On 22 August 1639, three square miles of land on the Coromandel Coast, where Fort St. George is located today, was handed over to the British East India Company by the local Nayaka rulers. It was from that shard of earth—flanked by ocean and dusted with blond sand—that Madras originated.

 

Now called Chennai, the city celebrated its 376th birthday on Saturday. Here are the profiles of some of the city’s most iconic institutions.

 

Victoria Technical Institute
Photo: SaiSen/Mint
Photo: SaiSen/Mint
The sepulchral atmosphere at the Victoria Technical Institute (VTI) is deepened by a marble statue of the puritanical monarch in full court dress—crown, cloak and sceptre—glaring beadily at you. The pretty young lady on the phone, however, doesn’t seem to be bothered. She has lined up a selection of baby dresses and is discussing the specifics with someone at the other end of the line, possibly a friend or relative who has recently had a baby girl. “I’m sure it will fit her,” she says, “She is still very small.”
This is perhaps one of the few places where you get frocks of this sort in the city: light-as-air smocked cotton in pastel shades with little flowers embroidered all over it. Other remnants of a time gone by can be found here: lace-edged doilies, plump tea cosies, wicker baskets, household linen with cut-work embroidery, multicoloured knitted napkin holders.
Most of the embroidery is done by women’s self-help groups in South India,” says C. Israel, CEO-IC (chief operating officer, in charge) of VTI. “We support them by giving them this platform to showcase their work.”
VTI, which was established as a public charitable trust in 1887 to commemorate the golden jubilee of Queen Victoria, was registered as a society in 1889.
“A few citizens of the Madras Presidency came together to start an organization to help the craftspeople of this country,” says Israel. “They wanted to preserve Indian handicrafts this way.”
VTI’s importance and reach grew as the society’s councillors began persuading craftspeople to route their products through the institute. Scholarships were offered to artisans and more art colleges were established in the Madras Presidency. In 1909, VTI got its first permanent exhibition centre: the Victoria Public Hall on Pantheon Road, Egmore.
When World War II erupted in Europe, British troops chose to occupy the Victoria Public Hall and the institute was moved to a rented store on Mount Road. In 1956, a new flagship showroom was opened in the same area.
The institute, which is spread across three floors and employs around 42 people, has craftspeople from all across the country supplying goods. Finely moulded statues of various Hindu gods in bronze, stone and rosewood can be found on the ground floor and in the adjoining gallery; the brightly coloured enamel work of Rajasthan and equally brilliant wares of Channapatna are balanced by the more subdued Bidriware and Dhokra art, while exquisitely carved and painted wooden furniture takes up an entire floor.

“There are over a hundred different sorts of handicrafts here,” says Israel. “And we constantly meet new craftsmen and invite them to display the best of their workmanship here.”
The Old Curiosity Shop
There is something decidedly Dickens-esque about the red-brick building on Mount Road that houses the Kashmir Art Palace. Step inside and you will understand why it is also called ‘The Old Curiosity Shop’. A line from the inimitable author’s novel, by the same name, flashes unbidden across the mind as you step inside, “the place… was one of those receptacles for old and curious things which seem to crouch in odd corners of this town and to hide their musty treasures from the public eye”.
Mohammed Lateef, whose father started the store in the mid-1940s, says, “The struggle for Independence was at its peak back then and there was a lot of turmoil in the north of India. My father (Ghulam Mohammed) came down to Madras for a visit and liked the relative peace and simplicity of the people here.”
Mohammed Lateef. Photo: SaiSen/Mint
Mohammed Lateef. Photo: SaiSen/Mint
So, Ghulam went back to Kashmir, sold his existing business and used the money to set up the shop on Mount Road. “Back then, people didn’t understand the concept of antiques,” says Lateef. “This used to simply be a gift shop for the English officers who needed to pick up things to take back to their homeland.”
It was his clientele who named the shop, laughs Lateef, turning on a cassette player. Don McLean’s Vincent wafts through the store. With a satisfied expression, Lateef leans back and says, “My style has always been vintage and I don’t sell anything I don’t like. I suppose this store reminded (clients) of the original Old Curiosity Shop.”
Currently, he says, his shop has a mix of both old and new things, “A lot of my clients are in the IT sector—they like to spend money on their house. And I like educating them,” says Lateef, who claims that Jawaharlal Nehru, former chief minister M.G. Ramachandran and actor Sivaji Ganesan visited the store during their lifetime.
“I can make you go back in history,” he promises, picking up a large lump of quartz that gleams gently in the dim light. Holding it up, he remarks, “This is at least million years old.”
There are other things in the store, perhaps not so primeval, but rare and unique nevertheless: finely embroidered, ancient pashmina garments, sepia-hued letters written by Indian statesmen, black-and-white photographs and the cameras that took them, gramophones, radios, typewriters, telescopes, compasses, sundials, five-decade old comics, century-old etchings and sketches, toys, vinyl records, coins, stamps, vintage jewellery, old movie posters, books produced by the Gutenberg press.
“After the British left India, this changed from a gift store to an antique one,” he says, “I talked to my clientele, understood their hobbies and started sourcing things for collectors all over the world. Some of the things I have here once belonged to royalty.”
Gem and Company
It is a small, unpretentious store on NSC Bose Road opposite the Madras high court. Clunky old buses trundle past, shoving pedestrians off the road and raising whorls of dust that find their way into the store, coating furniture and clients with a fine layer of dirt.
Behind the glass shutters of the wooden shelves, however, the pens are safe enough: the little-girl fountain pens with Disney princesses and fairies emblazoned on them, the slender metal cylinders that glint in the sun, the hand-crafted ebonite canisters of swirly brown and streaky black, the packets of cheap and convenient ball pens, the multicoloured gel pens.
“I have a passion for pens and love them,” says M. Pratap Kumar, owner of Gem and Co., which exclusively sells pens. “That is why I do what I do.”
M. Prabhat Kumar. Photo: SaiSen/Mint
M. Prabhat Kumar. Photo: SaiSen/Mint
It began a little less than a century ago, in the late 1920s, when Kumar’s grandfather N.C. Cunnan and his friend Venkatrangam began Gem and Co. Back then, all pens had to be imported from England, he says, adding that today, besides the regular brands such as Parker, Reynolds, Cello, Waterman, Sheaffer and Cross, he also sells the shop’s own brand of pens, Gama. “We sell our pens all over India and abroad,” he says.
Though he stocks a variety of pens, Kumar admits that he has a penchant for the good old fountain pen. “I always advise children who come here to use fountain pens. They are cheap, long-lasting, eco-friendly, don’t stress either the paper or your fingers and give you a much more legible and neat script,” he says, admitting that he is thrilled that schools in the city today are now insisting on their students using fountain pens.
In addition to selling pens, he also focuses on pen servicing, “The fountain pen is a very technical instrument; our exclusive service station for old pens can help you revive even your grandfather’s pen.”
From a shelf below, he takes a slender, velvet-padded box and opens it to reveal an amber-coloured pen. The cap is shattered and the nib cracked, but he picks it up almost reverentially and remarks, “This is an antique pen—once I am done with it, it will write better than any new one.”
Higginbothams
The air-conditioning isn’t working and shimmery, gossamer cobwebs hang like decidedly unlovely birthday streamers off long-stemmed grubby white fans. But the stained glass through which sunlight filters in leaving behind tiny pinpricks of bright light on the smooth black and white Italian tiles is beautiful, as is the sweeping wooden staircase that leads to the gallery above.
The pendulum of the tall grandfather clock must have oscillated for nearly 170 years, but time continues to sit lightly on Higginbothams, the oldest surviving bookstore in India. Unlike most other popular bookstores in Chennai, which have diversified their offerings over the past decade or so (in a few cases, books are no longer even stocked there), Higginbothams is unabashedly what it claims to be—a bookstore in the truest sense of the word.
Photo: Nathan G./Mint
Photo: Nathan G./Mint
M. Hemalatha, a senior customer relations manager who has been with the company for more than 33 years, says, “We are a conservative place and our environment may not be fancy. But when it comes to books, we have all that you require here. We have books across all subjects—technical and academic, bestsellers, classics, non-fiction, regional language publications…”
Labelled shelves of books cover the nearly 12,000 sq. ft store, while notice boards mounted on the wooden railings that bind the mezzanine floor celebrate the power of the written word. “Finishing a good book is like leaving a good friend,” declares one notice, attributing the comment to American publisher and author William Feather. Joseph Addison’s observation that “Reading is to the mind what exercise is to the body,” is printed on another. Then there is Pulitzer Prize-winning historian and writer Barbara Tuchman’s simple but lucid comment, a personal favourite—“Books are the carriers of civilization.”
Started by Abel Joshua Higginbotham, a former librarian, in 1844, the bookstore has grown into one of the key attractions of the city. It was frequented by the who’s who of the day, from publisher John Murray to Madras governor Charles Trevelyan and British prime minister Clement Atlee; it became the official book supplier of most government-owned or managed institutions of the time, including the Connemara Public Library.
In 1891, Abel’s son C.H. Higginbotham took over and began expanding the business—building the large high-ceilinged white building where the store is now located, taking it to other large cities in South India and also establishing capsule versions of the store at most railway stations.
“In addition to our larger stores in South India, we also have stores in college campuses, railway stations and the Chennai airport,” says Hemalatha.
In 1925, the store was bought by John Oakshott Robinson and merged with his existing printing unit, Associated Press, to form Associated Publishers.
Black-and-white portraits of the various stakeholders in the business smile enigmatically at you as you enter the store. Between the two portraits of founder Abel Joshua Higginbotham and his son C.H. Higginbotham is one of the late S. Anantharamakrishnan, founder of the Amalgamations Group.
“The bookshop was taken over by the Amalgamations Group in 1945,” explains Hemalatha, adding that it has been with the group ever since.
Despite it being a weekday morning, there are a few children crouched on the floor, examining the bottom shelf of the children’s section. “Reading is increasing among young people in spite of multimedia influences,” says Hemalatha. “Earlier, we were afraid that physical stores would go as the online market was able to give discounts we could not match. However, people who truly love reading still enjoy browsing in a bookstore for the touch and feel of books. And because we are a serious bookstore, they continue to come here.”
Poppat Jamal and Sons
The last year of the 19th century saw a terrible famine spread across Western and Central India. Poppat Jamal, whose family had a wool-exporting business in Gujarat, decided to escape it by leaving home. After a brief stint in Rangoon and then Bombay, he decided to explore the south of India and landed up in Madras.
“My grandfather came here and found a job working with Ibrahim Peer Mohammed and Company, a crockery company in Broadway,” says Mahmud N. Jamal, who has taken care of the business since the early 1970s.
Mahmud Jamal. Photo: SaiSen/Mint
Mahmud Jamal. Photo: SaiSen/Mint
In 1901, Poppat Jamal’s employer decided to sell the business, “He asked my grandfather what he thought the stock in the store was worth,” says Mahmud. “My grandfather said Rs50,000, which was a fortune in those days.”
Though he didn’t have that sort of money, Poppat Jamal agreed to take it over. “The former owner told my grandfather to pay him back after selling the goods. There was a lot of trust in those days,” adds Mahmud.
The large blue-and-white cup and saucer at the entrance of the store may proclaim the name of the business in its current avatar, Poppal Jamal and Sons. But it was not always named so, reveals Mahmud.
“My grandfather started the business with his brother, so it was initially called Poppat Jamal and Brothers,” he says. “When his brother passed away in the 1920s, the name changed to Poppal Jamal and Sons.”
Prior to Independence, the wares were imported from the UK and Japan, he adds. However, as better Indian brands came into the market, they started sourcing more products locally.
From bright melamine dinner sets to Cristal d’Arques glasses, neatly packaged lunch boxes, ceramic cups, airtight storage boxes, electronic gadgets and finely carved silverware, the range is extensive and attractive.
“We stock both local and international brands; we also have Taz, our in-house brand,” says Mahmud, adding that baking equipment is currently hugely popular. “We have a cross-section of buyers and our price range extends from Rs10 to Rs40,000.”
The store has changed locations (in 1958, it moved from Broadway to Mount Road) and the business has expanded (the company now has four stores in the city, as well as stores in Coimbatore and Vijayawada) but what the brand stands for remains essentially the same: PQR—Price, Quality, Range.
Mathsya
They say that when the Battle of Kurukshetra was fought, the king of Udupi refused to take sides, opting instead to cook and serve food to the soldiers gathered on the battleground. As with most stories from the epics, divine intervention came into play: the king would meet Lord Krishna every day to determine how many soldiers would survive the battle that day, thereby deciding the quantity he had to cook.
Little wonder indeed that the little town of Udupi in South Kanara, Karnataka, produces some of the finest vegetarian food in the country. Once upon a time, Madras was filled with hotels serving Udupi cuisine; unfortunately with the changing times, many of the old Udupi hotels were forced to shut down.
Mathsya, located at the corner of Halls Road in Egmore, has managed to hold its own since the turn of the last century. Ram Bhat, a partner of the popular restaurant, says, “To understand Mathsya, you have to understand Udupi philosophy. At the Udupi Sri Krishna Temple, food is served as prasadam to all.”
His grandfather Ramanna Bhat, who set up the restaurant in the early 1900s, was affiliated to that temple and set up the restaurant when he moved to Madras. “Back then, it was called Madras Café,” he says. “When my uncle Shama took over, he called it the Udupi Sri Krishna Bhavan.”
The name changed again after Independence, it was then called Udupi Home, he says, adding that “During the Indo-China War in 1962, there were constant power cuts, the trains came in late and people were stranded without food. So, the government gave Udupi Home permission to serve food post-midnight.”
And that holds good even today. The bells that decorate the hand-crafted wooden door of the restaurant jingle into the wee hours of the morning, while a wooden statue of Mathsya (the piscine avatar of god Vishnu) in the centre of the room welcomes all who enter—middle-aged homemakers, runny-nosed children, mustachioed businessmen and mini-skirted party-goers—equally graciously.
“In the late 1970s, we changed the entire set-up and gave it a more modern look and menu,” says Bhat. “While the rasam vadai, Raja Raja Cholan dosai, onion rava dosai, Manglore bondas and filter coffee continue to be all-time favourites, we also have things like cheese toast, bread-peas masala, aloo parotta and pav bhaaji,” he says, adding that “we are the first restaurant to introduce authentic Punjabi and north Indian cuisine to the south”.
Source…..Preeti Zachariah…..www.mintonsunday.livemint.com
Natarajan

 

In 1962, This Man Saved The World By Preventing A 3rd World War….

Vasili Alexandrovich Arkhipov, a Soviet Navy Officer, single-handedly saved the entire world from an upcoming devastating fate. Arkhipov, then 36, did something that was beyond atrocious for an officer of his rank. He disobeyed orders!

Here’s a quick summary:

1. In 1962, Arkhipov was onboard of B-59, a nuclear-armed attack submarine of USSR in the Caribbean sea.2. A US battleship started throwing depth charges to make B-59 surface.3. The Captain of B-59, thinking a war has began, ordered to launch the nuclear torpedo.

4. Arkhipov strongly opposed and convinced the Captain to surface and wait.

5. And stopped what could have been the beginning of a nuclear war between US and USSR eventually turning into 3rd World War.

And that one act stopped a worldwide nuclear war from starting, which would have easily destroyed anything of the shredded humanity that we were left with after World War II.

The background:

Image source

The time was 1960’s, only about one and a half decades after WWII, and the entire world was already dreading another World War, this time armed with nuclear weapons. Politically divided into two groups led by the USA and the USSR, most of the countries of the world were engaged in the Cold War. And the international waters were full of ships and submarines from both parties, ready to pounce on a moment’s notice.

Fact Source

 

Cuban Missile Crisis:

Image source

In 1962, the then Soviet President Nikita Khrushchev and Cuban President Fidel Castro reached a “secret” agreement to deploy Soviet ballistic missiles in Cuba, to protect both countries against the USA’s advances. It was also a defense mechanism against the American Jupiter ballistic missiles placed in Italy and Turkey, which could have destroyed Moscow within a quarter of an hour. Needless to say, the USA didn’t quite like this arrangement, and a 13-day long confrontation in late October of 1962 began between the USSR and the USA.

About the man:

Image source

Vasili Arkhipov was the second commanding officer onboard of the nuclear-armed Soviet submarine B-59 in the Caribbean sea. Before that, he was an executive officer of the ballistic missile submarine K-19, infamously known as “Hiroshima” for the number of accidents it suffered. He, alongwith the crew of the submarine, saved K-19 from a nuclear meltdown after its only coolant reactor failed. Arkhipov suffered severe radiation injuries in the same incident, which killed most of the crew.

Here’s what happened:

– B-59, a nuclear-armed Soviet sub headed towards Cuba
B-59, as a part of a group of 4 attack submarines of the USSR, each armed with 22 torpedoes, one of which was a nuclear torpedo, made way towards Cuba in October 1962.

– The Captain had the authority to launch the nuclear torpedo
The Captains of submarines had the permission to fire the nuclear weapon if a situation arises, with only the consent of the political officer. They would not have to wait for orders from headquarters in Moscow.

– A US battleship began throwing depth charges
On 27th October, USS Beale, an American destroyer, begun throwing depth charges in the sea to make the Soviet submarines surface. Meanwhile in an attempt to hide from the Americans, B-59 was too deep under the sea to receive any radio signal, either from Moscow or from the American ships.

– B-59’s Captain ordered to launch the nuclear torpedo
B-59’s Captain Savitsky thought the depth charges were a result of a war already broken out, and ordered the nuclear torpedo to be launched.

– Arkhipov opposed the decision
Now, though, rules said he only needed his political officer’s consent, who was more than willing, the presence of Arkhipov onboard changed the game. Due to his earlier contribution onboard of K-19, Arkhipov had a say in the matter.

– He made the Captain wait
As you can guess, he said no. He also convinced the Captain eventually to surface and await orders from Moscow, and made the biggest save of the world!

The later life of Arkhipov:

Arkhipov served in the Soviet Navy till mid-1980’s. He was promoted to the position of rear admiral in 1975, and died in 1998, at the age of 73, largely due to the nuclear radiation he was subjected to while onboard of K-19. In 2002, Robert McNamara, the then US Secretary of Defense, said in an interview with the Guardian,”We came very, very close,” while talking about the Cuban missile crisis,”closer than we knew at the time.”

Had it not been for Arkhipov, I would probably not even be here to write about this, or you, reading this article!

Source….Anwesha Maiti

http://www.storypick.com

Natarajan

Madras …then and now….

Change has always been beautiful and always will be. You go down the memory lane while seeing the old photos and reminiscing the time that passed by. And it may be anything – school friends, best friend or your hometown. Can you imagine how much of an impact it would create if the photos were merged into one and you couldn’t help but notice the stark difference and revel in that moment?

This Indian photographer, Raunaq Mangottil, has clicked photographs of Chennai. And these are not just photographs that hold aesthetic value, but it makes you realise the change that city has undergone over the years. When you look at it, you would realise that so many things have changed but even then, some things haven’t.

1. Statue of Thomas Munro, Park Town

 

Then: Thomas Munro, an official of East India Company who came to Chennai in 1789 and was responsible for Ryotwari system. After he died, his statue was made here.

Now: One of the blissful places of Chennai now. Free from traffic, this area is now taken care of by the military.

 

2. The Hindu Office

Then: The balcony of this office was used to keep a check on the test match scores, as can be seen in the picture.

Now: The never ending traffic has put an end to that.

 

3. Spencer Plaza Signal, Mount Road

M 3

Then: Bullock carts were a common sight then and the Kashmir Art Palace, the Old Curiosity Shop, and Agurchand Mansion leading to the LIC Building is quite evident.

Now: Only frustrating one-ways.

 

4. Corporation Of Madras

M 4

Then: This was constructed in a Neoclassical style and stands to be one of the finest structures of Chennai.

Now: Passers-by are not allowed  and is now shielded by Metro Construction blue sheets.

 

5. Higginbotham’s & Poompuhar

M 5

 

Then: This one was for all book lovers. This was India’s then largest bookstore. The building next to Higginbotham’s is Poompuhar, the popular textile shop.

Now: Though the bookstore is there even now, you’re most likely to be pulled over by the cops because of parking problems. It has a brilliant English-language selection, including Lonely Planet books, and a good range of maps now.

 

6. Casino Theater

M 6

Then: Mount Road was a cart track leading from Fort St.George to St.Thomas Town, as well as functioning as a heavenly treat for film buffs.

Now: Unfortunately, a terribly managed and a lost landmark now.

7. Chennai Central

M 7

Then: This station was relatively a calm place. People used cycles for commuting other than the much acclaimed Ambassador cars then.

Now: It is filled with the ever increasing population, but it stands majestic even now.

 

8. Egmore Station

M 8

Then: Madras Egmore was previously called the Egmore Redoubt, a place to store ammunition for the Britishers.

Now: Still retains its old charm, but with an added advantage of CCTV Cameras and round-the-clock security.

 

9. Rajaji Salai

M 9

Then: This was one of the main commercial centers of Chennai. Walking on this road used to be a pure bliss.

Now:  Traffic runs incessantly between SBI Buildings and Burma Bazaar now.

See, he hasn’t just rummaged through the internet for old pictures. It is a brilliant collection which is guaranteed to make you go nostalgic.

News Source: I am Madras

 

Source….Aparajta Mishra….www.storypick.com

Natarajan

 

 

8,000 YEARS OF SILVER: The precious metal’s journey from Anatolia to the modern stock exchange …

Along with gold, silver is one of the most sought-after metals.

Investors, industrialists, artists and others enjoy its many unique properties such as malleability, conductivity, strength and reflectivity.

It also has many beneficial applications in medicine, photography, decoration and technology.
People have been mining silver for thousands of years.
People have been mining silver for thousands of years.

The mining of silver began between 5,000 and 6,000 years ago in Anatolia, or what is now modern-day Turkey. As early as 700 B.C., early Mediterranean civilizations were using the brilliant white metal as currency. Over the next several centuries, the epicenter of silver mining shifted from Greece to Spain to Germany to Eastern Europe.
The Spanish conquest of the Americas changed silver forever.

The Spanish conquest of the Americas changed silver forever.

The Spanish conquest of the Americas in the 16th century dramatically transformed silver production. From 1500 to 1800, a mere three countries controlled an 85 percent share of the world’s silver market: Peru, Mexico and Bolivia.

Today’s top 10 silver producers span the world.

Today's top 10 silver producers span the world.

 

In 2013, the top 10 silver producers, in descending order based on output, were Mexico, Peru, China, Australia, Russia, Bolivia, Chile, Poland, the U.S. and Argentina. About 671 million troy ounces of the precious metal are mined annually. In recent years, the price of silver has fluctuated between $19 and $24 an ounce. That amounts to approximately $13 trillion generated a year.

 

Silver’s got unique properties.

Silver's got unique properties.

Silver’s melting point is 1,763°F whereas its boiling point is a blistering 4,013°, which is hotter than the inside of an active volcano.

 

Silver has a lot of industrial applications.

Silver has a lot of industrial applications.

Silver has many important, far-reaching technological and electronic applications. It’s used in everything from cell phones, computers and semiconductors to automobiles, water-purification systems and—because it is the best conductor of heat of all elements—spacecraft solar radiation tiles. Silver and aluminum, the world’s strongest alloy, is used in the construction of Apache helicopters and C-17 aircraft.

Silver is used in film.

Silver is used in film.

About 30% of silver consumption in the United States goes toward photography production, which requires silver nitrate.

Silver is great for wire.

Silver is great for wire.

Silver is the second-most malleable and ductile element following gold. Just an ounce of it can be stretched into 8,000 feet of wire.

 

Silver is used broadly in healthcare.

Silver is used broadly in healthcare.

The white metal also has powerful antibacterial properties, which have been known since at least the days of the ancient Phoenicians, who kept water and wine in silver vessels to ensure freshness. Today, silver is found in bandages as well as surgical instruments, stethoscopes, catheters and other health care tools. Unlike other antibiotics, silver prevents bacteria from developing resistance to it.
For investors, silver is a store of value.

For investors, silver is a store of value.

There are many ways to invest in silver, including bullion, coins, medallions, ETFs, mutual funds and accumulation plans.
Source….www.business insider.com

Natarajan

 

 

” சென்னை சாலைகள் ….பெயர் காரணம் ….ஒரு அலசல் …”

சென்னையில் இருக்கும், முக்கிய சாலைகள் பலவற்றின், பெயர் காரணம் குறித்து, திண்ணைப் பெரிசு ஒருவர், சொன்ன விவரம்:


சார்லஸ் பின்னி என்பவர், 1769ல், இந்தியாவில், வாணிபம் செய்ய வந்தார். இவர் பெயரில், பின்னி தெரு உள்ளது. இது, அண்ணா சாலையையும், கமாண்டர்- இன் -சீப் பாலத்தையும், இணைக்கும் சிறிய தெரு. இங்கு, பின்னி வாழ்ந்த மாளிகைதான், இப்போது கன்னிமாரா ஓட்டலாக உள்ளது.
கிழக்கிந்திய கம்பெனி காலத்தில், ஐரோப்பிய குடியேறிகளின், பொழுதுபோக்கு மன்றமாக இருந்த இடம் பாந்தியன் எனப்பட்டது. (அதுவே இன்றைய மியூசியம் தியேட்டர்) இதை நினைவுபடுத்தும் வகையில், இங்குள்ள சாலைக்கு, ‘பாந்தியன் சாலை’ எனப் பெயரிடப்பட்டது.
ரிச்சர்ட் எல்டாம்ஸ் என்பவர், பிரபல ஆங்கிலேய வர்த்தகர். இவர், சென்னை மேயராக இருந்து, 1820ல், இறந்தார். இவர் பெயரில் தான், எல்டாம்ஸ் சாலை உள்ளது.
ஜேம்ஸ் டெய்லர் என்பவர், 1795ல், சென்னையில், நிர்வாக அதிகாரியாக இருந்ததால், கீழ்பாக்கத்தில், இவர் பெயரில், டெய்லர்ஸ் சாலை உள்ளது.
சிங்கண்ணை செட்டி என்பவர், செயின்ட் ஜார்ஜ் கோட்டைக்குள், அடகுக்கடை வைத்திருந்தார். இவர் பெயரில், சென்னையில் மூன்று தெருக்களும், சிந்தாதிரிப் பேட்டையில் இரண்டு சந்துகளும் உள்ளன.
ஆளுநரின் பாதுகாவலர் இருந்த வீதிக்கு, பாடிகார்ட்ஸ் சாலை என்று பெயர். அக்காலத்தில், கப்பல்படை வீரர்களுக்குப் பயன்பட்ட இடத்திற்கு, ஓல்டுநேவல் மருத்துவமனை சாலை என்று பெயரிட்டு, பெரியமேட்டில், ஒரு வீதி உள்ளது.
‘தி மெட்ராஸ் ஆர்மி’ என்ற பெயரில், சென்னைக்கு பிரத்யேகமாக, ஒரு தனிப்படை ராணுவம் இருந்தது. இதன் தளபதி இருந்த இடம்தான், ‘கமாண்டர் – இன்- சீப் சாலை’ என, அழைக்கப்படுகிறது.
வெள்ளையர் அரசால், நடத்தப்பட்ட கல்லூரி இருந்த இடம், கல்லூரி சாலை என்ற பெயரில் உள்ளது.
வேப்பேரியில், டவுட்டன் பிராட்டஸ்டண்டு கல்லூரி இருந்த இடம், சுருக்கமாக, டவுட்டன் என்று அழைக்கப்பட்டது. இன்றும், அதுவே பெயர்.
இந்தியர்கள் வாழும் பகுதி கறுப்பர் தெரு, (பிளாக்கர்ஸ் ஸ்ட்ரீட் ) என அழைக்கப்பட்டு, இன்றும் அதே பெயரில் உள்ளது. கெயிட்டி தியேட்டர் இருக்கும் சாலை இது.
பஞ்சாமிர்தம் (1925) இதழ் ஆசிரியர், அ.மாதையா எழுதிய கட்டுரையிலிருந்து…
சென்னையில், குஜிலியின் முக்கில், ஒரு வீதிக்கு, ‘ஈவினிங் பஜார்’ என்றும், அடுத்த வீதிக்கு, ‘தீவிங் பஜார்’ என்றும் பெயர் இருந்தது. இதை, நான் முதலில் கவனித்த போது, உண்மை எவ்வாறிருப்பினும், ராஜதானி நகரத்தில், ஒரு வீதிக்கு, ‘தீவிங் பஜார் சாலை’ அதாவது, ‘திருட்டுக் கடை தெரு’ என்றிருப்பது நகரவாசிகளுக்கும் போலீசாருக்கும் கவுரவம் தருவதன்று என்று நினைத்து, அப்போது முனிசிபல் கமிஷனராயிருந்த என் நண்பர், மலோனி துரைக்கு அதைப்பற்றி எழுத, அவர், ‘தீவிங் பஜார்’ என்ற பெயரை, ‘குஜிலி பஜார்’ என்று மாற்றினார்.

‘அமரர் கல்கியின் ஹாஸ்யம்’ நூலிலிருந்து: வைணவ மதம், ரொம்ப ருசியான மதம் என்பது பிரசித்தம். கண்ணனை வெண்ணெய் திருடும் கடவுளாகச் செய்தவர்கள், ரொம்பவும் சுவை அறிந்த மனிதர்களாகத் தானே இருக்க வேண்டும். இன்னும், வைணவ மதத்தின் ருசியை, ஸ்ரீரங்கம் மற்றும் காஞ்சிபுரம் கோவில் பிரசாதங்கள் எவ்வளவு தெளிவாக நிரூபிக்கின்றன!
தன்னை விட, 153 மடங்கு உயரமான ஈபிள் டவரை கட்டி, சாதனை படைத்திருக்கிறான் மனிதன். ஆனால், கரையான் புற்றை, கரையான், தன்னை விட, 1,000 மடங்கு உயரமாக கட்டுகிறது. ஆனால், அதை சாதனையாக அவை வெளியே சொல்வதில்லை.
குப்பண்ணா சொன்னது.

Source….www.dinamalar.com

Natarajan

The Secrecy of the Film ” Psycho”….

hitchcock

When it was released in 1960, Psycho was one of the most controversial films of the day, thanks in part to the surprising (for the time) depictions of violence and sexuality it contained. In an effort to keep spoilers to a minimum and thus ensure audiences were as surprised as possible by the film’s more shocking twists and scenes, Hitchcock went to some rather extreme lengths to keep the film’s basic plot a secret.

For starters, one of the first things Hitchcock did after reading the original 1959 novel the film was based on-Psycho, by Robert Bloch- and deciding that he just had to adapt it to film, was charge his assistant with purchasing as many copies of the book as possible to keep it out of public hands. Exactly how many copies Hitchcock managed to get his hands on isn’t known, but it is generally thought that he came reasonably close to purchasing every copy on the shelves at the time. This must have been nice for Bloch, at least financially, who not only got a little over $9,000  (about $71,000 today) for the movie rights to the novel, but a nice payout for all the extra copies Hitchcock purchased.

Although Hitchcock was positively enamoured by the novel’s twists and shocking content (which was partly inspired by the killings of Ed Gein, who also inspired the Texas Chainsaw Massacre movies) Paramount Pictures weren’t. They particularly didn’t like the fact that Hitchcock’s contract with them only guaranteed he’d do one other film for them.  They did not want it to be Pyscho.

To try and dissuade Hitchcock from pursuing the film any further, executives more or less attempted to halt production at every turn, which only strengthened the director’s resolve. For example, the studio refused to give Hitchcock his usual budget, offering him just shy of a million dollars instead of the $3 million and change they’d given him for his previous film, North by Northwest.

Rather than scrap the project, as they hoped, a defiant Hitchcock decided instead to simply film the movie using a television crew mostly borrowed from his show, Alfred Hitchcock Presents and shoot the entire thing in black and white. Hitchcock also managed to secure the film’s main two actors, Janet Leigh and Anthony Perkins, for a fraction of their usual fees saving tens of thousands of dollars. He also, as a demonstration of his faith in the project, turned down his normal pay and instead very wisely opted for a percentage of the film’s ultimate returns, reportedly at a whopping 60%.

In a further attempt to get him to scrap the project in favour of something they deemed better to complete his contract with them, Paramount Pictures told Hitchcock their sound stages and other such needed equipment were completely booked, even though they weren’t. Again, Hitchcock was undeterred and moved production over to Universal Studios. Ultimately Paramount gave in and green-lighted the project, though at this stage not nearly as involved in it as they’d normally have been.

This proved to be a boon to Hitchcock as he was free from executive meddling. It also allowed him to film on what was essentially a closed set, helping to insure that no details of the plot leaked.

To further make sure of this, Hitchcock made every member of the cast and crew promise that they wouldn’t talk about the film, its plot, or twists- rumor has it by making each and every one of them say in front of him “I promise I shall not divulge the plot of Psycho”.

Even after the film was finished, Hitchcock barred both Leigh and Perkins from giving any interviews concerning it, instead choosing to promote the film almost entirely by himself.

To avoid giving away any potential details about the plot, Hitchcock promotional efforts focused wholly on alluding to the film’s shocking twists and content, without giving away any details.  For instance, he sent a guide to theatres instructing them what to do in the event someone had a heart attack while watching the film. This is something Hitchcock would later double down on at initial screenings by hiring “nurses” to stand around theatre lobbies.

Hitchcock also took out a number ads in the lead up to the film’s release that merely featured an image of himself pointing sternly at his watch with a statement that said nobody who turned up to the film late would be permitted to see that showing of it.

Other ads, and even a clip at the end of the film, featured an image of Hitchcock encouraging those who watched it not to spoil the film for others saying things like,”After you see Psycho, don’t give away the ending, it’s the only one we have.” and “If you can’t keep a secret, please stay away from people after you see Psycho.

The final means with which the plot could potentially be spoiled early was with movie critics. As such, Hitchcock didn’t allow critics to see an advanced copy, suggesting instead that they watch it on release day like everybody else. Annoyed critics generally responded by savaging the film and, as Hitchcock had suspected they would, giving away plot points he’d tried so hard to protect in their rushed, release day reviews. For example, in their 1960 review of the film, Variety mentioned that the film contained several “graphically-depicted knife murders”.  After the film was a smashing success with the public, many of the critics who’d initially called the film a schlock,  bravely changed their opinion and began referring to it as a masterpiece of cinema.

Paramount similarly forgot all about how they’d initially tried to can the film before production began and heroically tried to ride Hitchcock’s coattails after the film proved to be one of the most profitable they’d ever produced up to that point, grossing about $32 million (about $252 million today) in its initial run off the ultra-tight budget they’d given Hitchcock.

Source…..www.todayifoundout.com

Natarajan