Puzzling Gravestones….

When Canadian doctor Samuel Bean lost his first two wives, Henrietta and Susanna, within 20 months of each other, he decided that the was best way to honor them would be to create a tombstone dedicated to a hobby they both enjoyed —solving puzzles. The doctor had them buried side by side in Rushes Cemetery near Crosshill, Wellesley Township, Ontario, and a single gravestone was placed over their graves. The gravestone bore a puzzle, one that had kept historians stumped and amateur cryptologists busy for the next eighty years.

A replica of the gravestone can still be seen in Rushes Cemetery. The original stone was badly weathered and was replaced with this durable granite replica in 1982. The stone is about 3 feet high, and features a finger pointed skyward with the words “Gone Home” above the two women’s names. Underneath the names is a grid carved with 225 seemingly random numbers and letters.

Without doubt, Dr. Samuel Bean must have received many requests to reveal the meaning of the cryptic message, but he would have none. Then in 1904, while holidaying in Cuba, Dr. Bean fell overboard from a sailboat and drowned. The secret of the coded gravestone was forever lost.

It was in 1947, some eighty years after Dr. Bean’s wives were buried, that the puzzle was first deciphered by the cemetery caretaker John L. Hammond, whose own grave is nearby. Hammond had copied the inscription, took it home and over the course of several months figured it out.

To solve the puzzle, start at the seventh column from the left and at the seventh letter from the top and read in a zig-zag way. If solved correctly, it should read:

IN MEMORIAM
HENRIETTA 1ST WIFE OF S BEAN M. D.
WHO DIED 27TH SEP 1865 AGED 23 YEARS 2 MONTHS & 17 DAYS
& SUSANNA HIS 2ND WIFE
WHO DIED 27TH APRIL 1867 AGED 26 YEARS 10 MONTHS & 15 DAYS
2 BETTER WIVES 1 MAN NEVER HAD
THEY WERE GIFTS FROM GOD BUT ARE NOW IN HEAVEN
MAY GOD HELP ME S. B. TO MEET THEM THERE

However, the puzzle appears to have a few errors, as TheRecord.com observes:

There is a single letter-discrepancy between the two stones. In line 7, column 8, the original’s “D” became an “E” on the replica — as it should be. However, there remains one seeming error: in line 8, column 14, each stone shows “B” but this has no place in the puzzle. If made an “O” it completes the word “SO” in the puzzle’s final phrase. I like to think that Samuel had these false letters engraved into the original marble to have the last laugh on his township neighbours.

Photo credit: Mac Armstrong/Flickr

Dr. Bean wasn’t the first to incorporate puzzles into headstones.

At the eastern end of the churchyard of St Mary’s Priory Church, in Monmouth, Wales, there is the gravestone of John Renie, a house painter who died in 1832. Renie’s gravestone comprises a rectangular carved 285-letter acrostic puzzle. From the larger H on the center square the sentence “Here lies John Renie” may be read in any direction. It is claimed that the sentence may be read a total of 46,000 different ways. It is believed that Renie carved the stone himself, possibly in a bid to confuse the Devil, so ensuring Renie a safe passage to heaven.

Source….Kaushik in http://www.amusingplanet.com

Natarajan

Legends of Onam: Let us all welcome Maveli, the righteous king!…

 

Onam is one the most anticipated festivals celebrated with much fanfare and merriment by the people in Kerala, irrespective of one’s caste or creed.

Usually coinciding with crop harvests in the region, the story behind how the festival came into being goes all the way back to Vedic and Puranic ages.

The mythical King Mahabali, considered to be one of the greatest kings to have ever ruled Kerala, is believed to ascend to Earth from the netherworld to meet his subjects once every year.

It is his homecoming that is celebrated as the festival of Onam, as we know it today.

The king remains quite popular in Kerala even to this day, as testified by the folk song, Maaveli Naadu Vannidum Kaalam (When Maveli, our King, ruled the land), that speaks of his reign being one where all were equal.

According to the traditional legend, the king’s growing popularity amidst the common people became a rising concern for the jealous gods, Indra in particular.

According to Hindu beliefs, when a king or an emperor has a considerable number of fair and just deeds to his credit, he has the power to dethrone even Indra, who is the god of the gods.

Threatened by Mahabali’s rising greatness, they decided to hatch a scheme against the king and rope in the supreme god Vishnu.

Taking the form of a poor Brahmin monk named Vamana, Vishnu approached the king and asked to be granted a boon. Mahabali, who was known for his altruistic qualities, readily agreed to the monk’s request. 

An ancient illustration depicting Vamana casting the king to netherworld. Source: Wikimedia
Vamana wished for a parcel of land that he could cover in three paces or steps. Amused by such a trivial request, the king granted his wish. However, the ‘simple’ monk soon transformed into a giant – and covered all of the king’s lands in just two steps.

Where to put the third step? The king could not go back on his word. Having nothing left that he could pledge, Mahabali offered his head to the monk as the third step. Vamana’s final step pushed the king to the netherworld, thus robbing him of his earthly commitments and his throne to heaven.

Vishnu offered the king a chance to visit his kingdom once every year, for his attachment to his subjects was well known even amidst the gods.

And thus, the festival of Onam came into being, marking the homecoming of the noble king, who is lovingly called Maaveli by his people.

Different rituals are practised even today that celebrate the reign of the king, which is considered to be a golden era in the history of Kerala.

Interestingly, despite the role that Vamana had in the banishment of Mahabali, he is not written off as a villainous character in the state.

In fact, one of the major instalments of the festivities includes statues of both figures. These are circulated in homes of people as a representation of the king’s visit as well as the god’s.

While the statue of Mahabali is known as Onathappan, Vamana’s form goes by the name of Thrikkarayappan, the lord of the land covered in three paces. And both make way into the floral arrangement of Pookalam on Pooradam, the eighth day of Onam.

And as the month of Chingam falls by year after year, the people of Kerala continue to await the visit of their beloved king and seek his blessings.

Source….LekshmiPriya .S in http://www.betterindia.com

Natarajan

 

 

 

 

Meet the Kerala family that has been creating ‘Onavillu’ for Onam for centuries …!

The Vilayil Veedu family is the only family entrusted to make the ‘Onavillu’ that is offered to the deity at Sri Padmanabhaswamy Temple.

For the Vilayil Veedu family at Karamana it is a busy time of the year. The family of traditional craftsmen is the only family entrusted to make the ‘Onavillu’, a ceremonial bow that is offered to the deity at Sri Padmanabhaswamy Temple here as part of the annual rituals during the Onam festival season.

Their house wears a festive look, as all the five male members of the family, including a 12-year-old, immerse themselves in the task of crafting these colourful bows.

“In these bows, we paint all the avatars of Vishnu. 12 of them are offered in the temple as a part of the ritual. Nowadays, even more, numbers are being offered at the temple. They consider it holy and keep it in their pooja rooms as well,” Binukumar, one of the craftsmen from the family, told TNM.

The bow is a broad piece of wood, tapering on both sides, on which miniature paintings of the Ananthasayanam, Dasavatharam, Sreerama Pattabhishekam and the Sreekrishnaleela are portrayed.

Earlier the ‘villus’ were 3.5-4.5 feet long and 4-6 inches wide. But, now the family have introduced 1.5 feet long small bows that can be used by everyone.

The making of the Onavillu is an age-old tradition that has continued over the years from the 16th century. The family members observe a 41-day penance prior to the commencement of the work.

“We have to be pure while we make this. We are vegetarians and follow certain other norms while making it. There are certain mantras to be chanted while carving and drawing each Onavillu,” he added.

Earlier the making would take place only during the Onam season but now with people buying for their home, the craftsmen work throughout the year.

The red tassels used to adorn the ‘villu’, which is known as ‘Kunjalam’, are made by the convicts of the Central Jail at Poojappura here.

Last week the jail authorities handed over this year’s required ‘Kunjalam’ to the Vilayil family.

“Kunjalam making was started decades ago by the jail inmates. There is a weaving unit in the jail.  The Kunjalam was prepared under the guidance of the instructor. We make it as per the order given by the temple,” S Santhosh, Poojappura jail superintendent told TNM.

He also says that even the prisoners observe penance before and while weaving the Kunjalam.

“They don’t take any non-vegetarian food, make themselves clean before starting the work and also do certain prayers,” he added.

Binukumar said that at prison these ‘Kunjalams’ are made by the inmates irrespective of caste or religion. “People belonging to all religion are involved in the making of Kunjalam. Surprisingly they all observe the penance so that the Onavillu’s holiness is not lost,” he added.

The ‘villus’ are first offered to the family deity at the Valiya Veedu for three days. They are then taken to Sri Padmanabhaswamy Temple on Thiru Onam day and displayed at the Natakasala before being offered to the deity.

Edited by Kannaki Deika

Source….Haritha John in http://www.thenewsminute.com

Photos : Sreekesh Raveendran Nair

12 of the Late Jerry Lewis’ Funniest Sketches….

 

Many people will have a heavy heart having heard the sad news that comedy legend, Jerry Lewis, has passed away at the age of 91. Although he fell in and out of favor with his adoring public throughout his career, there’s no denying that he was both immensely talented and incredibly generous – he ran a Labor Day telethon each year from 1966 to 2010 in order to raise money for the Muscular Dystrophy Association, raising some $2.5 billion in the process. Enjoy 12 of the most famous sketches and songs from his career below:

Source….www.ba-bamail.com

natarajan

THE MAN WHO ACCURATELY ESTIMATED THE CIRCUMFERENCE OF THE EARTH OVER 2,000 YEARS AGO….

 

pillars

Today I found out about a man who fairly accurately estimated the circumference of the Earth well over 2,000 years ago: Eratosthenes of Cyrene.

Born around 276 B.C. in Cyrene, Libya, Eratosthenes soon became one of the most famous mathematicians of his time. He is best known for making the first recorded measurement of the Earth’s circumference, which was also remarkably accurate.  (And, yes, people at that point had known for some time that the world wasn’t flat, contrary to popular belief.)

Eratosthenes was able to accomplish this in part because of his education in Athens. There, he became known for his achievements in many different fields, including poetry, astronomy, and scientific writing. His activities became so talked about, in fact, that Ptolemy III of Egypt decided to invite him to Alexandria to tutor his son. Later, he would become the head librarian of the Library of Alexandria.

The mathematician must have been thrilled to have this opportunity. The Library of Alexandria was a hub of learning at the time, attracting scholars from across the known world. Eratosthenes was able to rub shoulders with the likes of Archimedes while continuing his own learning.

It was probably in the Library of Alexandria that he read about a curious event that took place in Syene (now Aswan, Egypt) at the summer solstice. Syene sat to the south of Alexandria. At high noon, the sun would shine directly overhead and there would be no shadows stemming from the columns. However, Eratosthenes realized that at the same moment in Alexandria, columns clearly did have shadows. Being a good mathematician, he decided to use this knowledge to do a few calculations to figure out the circumference of the Earth.

To do this, Eratosthenes measured the shadow of an obelisk on June 21 at noon. He discovered that the sun was about 7°14’ from being directly overhead. He realized that, because the Earth is curved, the greater the curve, the longer the shadows would be.

Based on his observations, he hypothesized that Syene must lie 7°14’ along a curve from Alexandria. Furthermore, he knew that a circle contained 360°, which meant that his calculation—7°14’—was roughly one fiftieth of a circle. Therefore, Eratosthenes thought, if he multiplied the distance between Syene and Alexandria by 50, he would have the circumference of the Earth.

The missing information was simply how far away Syene was from Alexandria. He measured the distance in stadia. There isn’t an exact modern day conversion to stadia, and it isn’t perfectly clear which version of the stadia Eratosthenes was using, but regardless, from what is known, his estimation was remarkably accurate.

There are two theories as to how Eratosthenes figured out the distance: first, that he hired a man to walk there and count the steps. Second, that he heard a camel could travel 100 stadia a day, and it took a camel about 50 days to travel to Syene. Whatever the case, he estimated the distance between Syene and Alexandria was 5,000 stadia. If that was the case, then using his formula, the earth was 250,000 stadiaaround.

Due to the uncertain distance that stadia represents (and particularly which stadia he was using), historians believe that Eratosthenes’ conclusion was between .5% and 17% off the mark. Even if the latter case was true, it was astoundingly accurate given the limited technology he was dealing with at the time. But many scholars think it likely that he was using the Egyptian stadia (157.5 m), being in Egypt at the time. This would make his estimate only about 1% too small.

There had been previous attempts at discovering the Earth’s circumference (which don’t count as “first recorded” because their methods didn’t survive, though we have references to them) which resulted in a 400,000 stadia figure, 150,000 more than Eratosthenes’—obviously far from accurate.

While finding the approximate circumference of the Earth was probably Eratosthenes’ largest contribution to scholarship at the time, it was by no means the only one. Eratosthenes is also credited with coming up with a way to map out the known world by drawing lines north-south and east-west—early latitude and longitude lines. However, these lines were irregular and often drawn through known places, meaning they weren’t entirely accurate. Nevertheless, it provided a precursor for maps we know today.

He is also remembered for the Sieve of Eratosthenes, a simple algorithm that makes it easy to find all prime numbers up to a certain limit. Though none of Eratosthenes’ personal work on the sieve survives, he was credited with the creation of the algorithm by Nicomedes in his Introduction to Arithmetic.

Not only that, but Eratosthenes estimated the distance to both the sun and the moon, and measured the tilt of the Earth’s axis all with amazing accuracy.

He also wrote the poem Hermes, correctly sketched the route of the Nile, and even gave a more-or-less accurate account of why the Nile flooded, something that had baffled scholars for centuries. He worked on a calendar that included leap years and he also estimated and corrected the dates of various historical events beginning with the Siege of Troy.

Despite these accomplishments and many more like them, Eratosthenes was often nicknamed “Beta.” Beta is the second letter in the Greek alphabet and referred to Eratosthenes being second-best in everything he did.

Eratosthenes died around 194 B.C. and is thought to have starved himself to death. It is believed that he started going blind in his later years and, unable to continue his work, he simply stopped eating.

Bonus Fact:

  • A man named Posidonius copied Eratosthenes’ basic method about a century later, using the star Canopus, Rhodes, and Alexandria as starting points. However, he didn’t measure the distance between Rhodes and Alexandria correctly, resulting in a circumference that was smaller than Eratosthenes’ estimation. It was this circumference that was recorded by Ptolemy in his geography treatise and later used by explorers looking for a quicker way to the Indies.

Source…www.todayifoundout.com

Natarajan

Hiding in plain sight; Rangoli, Kolam designs and what they mean…

 

Every day, my mother religiously performed a ritual. Rain or shine, she never skipped this ritual even for a day. Every day, she drew enchanting kolam patterns using rice flour.

On special occasions, the white kolam designs were made with wet rice flour paste accompanied by thick strips of earth colored borders made with red sand mixed with water.

My mother is proud of her kolam design skills. She is not alone. It seems no self-respecting South Indian woman will tolerate anyone questioning her ability to conjure up kolam designs at will.

Millions of women from different communities in South India practice this art form every day.

For over 38 years, I considered Kolam to be just another ritual among the long list of rituals Indian women seem to follow. However, when I decided to dig deeper to understand the significance of kolam designs, I was surprised at what I discovered.

The threshold is a key concept in Tamilian culture. Even historical Tamil literature such as the Sangam literature (Tamil literature in the period spanning 300BC to 300 CE) is divided into the akam (inner field) and the puram (outer field).

That’s not all.

In one of Nammalvar’s (the fifth among the 12 Alwar saints who espoused Vaishnavism) hymns, the God in the poem is the God of the threshold. Of course, every newly married bride formally becomes a part of the household when she steps overs the threshold.

Should we then conclude that kolam designs are a celebration of the threshold?

Different interpretations of the significance of kolam designs

Here are a few explanations I came across in my quest to unearth the real significance of the kolam ritual.

The most common understanding has been that the idea of using rice flour is to provide food to ants, insects and small birds.

If that is the case, what’s stopping men from participating in this noble deed?

While I did not find an answer, a common sense reasoning is that women have traditionally carried the burden of maintaining the home and the kolam ritual automatically became a part of the woman’s domain.

That’s also a reason why my mother and my aunts believe that women see it as a key ritual that helps them improve their concentration and patience, two key components needed to run a household!

Here is another interpretation recorded in Lance Nelson’s study of Kolam.

“Bhumi Devi [earth goddess] is our mother. She is everyone’s source of existence. Nothing would exist without her. The entire world depends on her for sustenance and life. So, we draw the kolam first to remind ourselves of her. All day we walk on Bhumi Devi. All night we sleep on her. We spit on her. We poke her. We burden her. We do everything on her. We expect her to bear us and all the activities we do on her with endless patience. That is why we do the kolam.”

According to Devdutt Pattnaik, author and mythologist –

“A downward pointing triangle represented woman; an upward pointing triangle represented man. A circle represented nature while a square represented culture. A lotus represented the womb. A pentagram represented Venus and the five elements.”

Kolams connects the dots in more than one way.

Cultural practices are common across the length and breadth of India. They also transcend regions.

The concept of Kolam is definitely not unique to Tamil speaking community in India. For example, in the Telugu language, it is called ‘Muggulu’, and it’s known as ‘Rangoli’ in the Kannada language.

But the idea of drawing patterns on the ground transcends India and can be found in other cultures as well!

Anil Menon, a computer scientist, and a speculative novelist has compiled findings from his research on similar practices among cultures separated by oceans. Here are some tidbits from Menon’s work.

British anthropologist, John Layard, found that the patterns drawn on the sand by the tribal population of Malekula (an island that’s a part of The Republic of Vanuatu, situated 1000 miles east of Australia) are similar to the kolam patterns popular in Tamil Nadu!

Here is the proof.

 

 

 

 

 

There is also a possibility that kolam designs were an early form of pictorial language!

Dr Gift Siromani, through his path-breaking work, has proved that it is possible to create any kolam pattern using a combination of strokes.

Rituals and cultural practices are to be cherished

I did not think much of the kolam designs my mom drew every day. But a sudden spark of curiosity led me to unexpected findings and the joy of discovering human beings are connected to each other in more ways than we can imagine.

Physical boundaries, cultural differences, and racial definitions are just imaginary barriers we have erected over a period of time. Our lives are always connected just like the dots of the kolam my mom draws.

SOURCE….Srinivas Krishnaswamy in http://www.the betterindia.com

Natarajan

A Newspaper Mistake that afforded Alfred Nobel to Read his own “obituary ” …!

 

THE NEWSPAPER ERROR THAT SPARKED THE NOBEL PRIZE

“The merchant of death is dead,” blasted a French newspaper in April 1888, bidding good riddance to Swedish inventor and arms manufacturer Alfred Nobel, who “became rich by finding ways to kill more people faster than ever before.” Pretty harsh words for an obituary, especially when its subject was still very much alive. But even if the rumors of his demise were greatly exaggerated, the inventor of dynamite was not about to let the details of his legacy be similarly blown out of proportion, and so Nobel set out to ensure that his name would forever be tied to humankind’s highest achievements, and not its destructive potential.

“Nobel was a torrent of ideas, a perpetual inventor,” writes Jay Nordlinger in Peace, They Say: A History of the Nobel Peace Prize. It was no accident. His father was an engineer and inventor who specialized in blowing things up, and whose undersea naval mines had been used by the Russians to keep the vaunted British navy from besieging St. Petersburg during the Crimean War of the 1850s. Born in 1833 in Stockholm, young Alfred never earned a degree or attended college, but in addition to absorbing his father’s explosive knowledge, he traveled widely, learned several languages and trained under a world-renowned chemist in Paris. At the age of 24 he obtained his first patent, the first of more than 350 he would earn in his lifetime.

Nobel’s biggest breakthroughs came when he successfully harnessed the destructive power of nitroglycerin, including in dynamite, his most famous invention, which facilitated canals, tunnels and other infrastructure projects. Nobel was also, says Nordlinger, a “genius businessman” and entrepreneur, who not only invented the products he sold but also directed their manufacturing and marketing. And he was a prolific writer and lifelong bachelor. “My only wish is to devote myself to my profession, to science,” he wrote in 1884. “I look upon all women — young and old — as disturbing invaders who steal my time.”

But the Swede’s single-minded devotion to his work paid off. He would eventually oversee more than 90 labs and factories operating in more than 20 countries around the world, and he spent most of his time traveling between them, prompting French writer Victor Hugo to label him “Europe’s wealthiest vagabond.” Nobel’s employees adored their vagabond chief, though, and his factories offered free medicine and medical care. In addition to his generosity, Nobel was known for his insatiability, once observing, “I have two advantages over competitors: Both moneymaking and praise leave me utterly unmoved.”

What moved him profoundly, however, was being pronounced dead and a merchant of death. The press had confused Alfred’s passing with that of his older brother Ludvig, who succumbed to tuberculosis in 1888. It was a regrettable mistake that nonetheless afforded Nobel the rare opportunity to read his own obituary. “It pained him so much he never forgot it,” says Kenne Fant in Alfred Nobel: A Biography, and the insatiable inventor “became so obsessed with his posthumous reputation” that he would not rest until he had crafted “a cause upon which no future obituary writer would be able to cast aspersions.”

Nobel, it should be noted, was in no way ashamed of his annihilative inventions, once remarking that “there is nothing in the world which cannot be misunderstood or abused.” He also happened to despise war, but knew that his creations would forever link him to what he called “the horror of horrors.” And so, without any children or immediate family upon whom to bestow his enormous fortune, Nobel thought a great deal about what to do with it, particularly in the years after his misreported demise.

Finally, on Nov. 27, 1895, the inspired inventor sat down at a desk in the Swedish-Norwegian Club in Paris and, in handwritten Swedish with no help from a lawyer, penned a four-page document that would become one of history’s most notable last will and testaments. In it, he left 31 million Swedish kroner (equivalent to about $250 million today), the bulk of his estate, to be invested and the interest from which given “in the form of prizes to those who, during the preceding year, shall have conferred the greatest benefit on mankind.” Four random gentlemen at the club were asked to witness the document, which now resides in a vault at the Nobel Foundation in Stockholm, and the rest is history.

When he died, for real, the following year, Nobel’s will shocked his disappointed relatives, as well as the Swedish royal family, upset that he would establish a valuable prize whose competition was open to everyone, not just Swedes. But the prolific inventor, resolute and innovative to the end, had gone out with a bang, and true to his wishes, the name Alfred Nobel, no longer linked to death and destruction, would forever be associated with progress, peace and the very best in human achievements.

Source…Input from a friend of mine

Natarajan

THE TIMELY DEATH OF KODAK FOUNDER GEORGE EASTMAN…

 

It was March 14, 1932 when George Eastman, famed inventor, philanthropist, and founder of Eastman Kodak, invited a few loyal friends over to witness the rewriting of his will. He had made the decision to give a good portion of his money and prized possessions, including his enormous mansion, to the city he called home for his whole life- Rochester. To this end, he bequeathed his house and a $2 million endowment (about $34 million today) to the University of Rochester. Eastman also donated a large sum of money to dental dispensaries across the city, attempting to ensure that no child in Rochester would go without proper dental work. Finally, he left $200,000 (about $3.4 million today) to his beloved niece, Ellen.

Cheerfully signing the will, he assured his friends this was just a matter of ensuring his wishes. Later, it was thought that he also wanted his friends to see him mentally alert so the credibility of the will wouldn’t be questioned. After all the t’s were crossed and i’s were dotted, he asked if everyone could excuse themselves for a moment. When they did, George took out paper and pen and wrote a note, which read,

To my friends,
My work is done.
Why wait?
GE

Then, he took a pistol out from his nightstand and shot himself in the heart, ending his life at the age of 74.

So who was this captain of industry and why did he, quite cheerfully, suddenly choose to take his own life?

George Eastman, and his company, turned photography from a complicated, expensive, unwieldy, and potentially dangerous hobby (due the chemicals needed to develop the film) into one that, quite literally, a child could do. He was not only a genius inventor, but a brilliant marketer.

His story begins as it ended, in Rochester. The Eastmans always put a priority on education. In fact, George Eastman Senior founded Eastman’s Commercial College in 1854, the same year George Junior was born. The family was middle-class and living pretty comfortably, but this was short-lived. In 1862, when George was only eight, his father passed away from a “brain disorder.” His mother, Maria, was a now a widow with three small children, one of them (George’s youngest sister Katy) suffered from polio and other illnesses. Life was hard for the Eastman family after George Senior’s death and self-reliance became a necessary trait.

At age of 14, George dropped out of high school to support his family. He worked at a local insurance company and as a clerk at Rochester Savings Bank. Then, in 1870, tragedy struck again when his sister, Katy, passed away from complications related to polio. She was buried next to her father.

George, even at an early age, was meticulous, detailed, and controlling of every aspect of his own business. Starting when he got his first job at 14, he began keeping ledgers to detail his finances. Due to his careful planning and earning enough working at the bank, Eastman was able to afford certain luxuries. It was in one of these ledgers, under January 27, 1869 to be exact, that “photography” was first mentioned. As the months passed, besides helping to support his mother, George spent more and more money on “photos” or “photograph materials.”

In 1878, Eastman learned an important lesson – photography (at least at the time) was hard. The legend goes that he wanted to treat his mother to a vacation in Santa Domingo in the Dominican Republic (other sources say he was looking to buy land in the newly independent nation). Either way, to document his trip, he bought a photographic outfit. Cameras then are not what we think of cameras are today. An outfit included the camera (constructed from several parts that must be put together before taking pictures), a stand, a light, and wet glass plates (with chemicals) in order to preserve the picture. As Eastman later put it,

In those days, one did not ‘take’ a camera; one accompanied the outfit in which the camera was only a part. I bought an outfit and learned that it took not only a strong, but also a dauntless man to be an outdoor photographer.

Eastman, so fed up with everything he had to bring, not only didn’t take a camera, he didn’t take the trip at all. At this point, Eastman thought to himself that there had to be a better way.

For the next several years, while still working at the bank, Eastman developed a new kind of dry plate, one made out of gelatin (the same ingredient used in Jello, which would be invented twenty years later in a small town thirty miles from Rochester), not glass. Glass was heavy, fragile, and expensive. Gelatin was an improvement on all of these things. By 1880, he had patented a dry-plate coating machine made out of gelatin, making the process of preserving film negatives simpler, cheaper, and less dangerous.

While developing this process, he came across another innovation that would allow photography and, eventually, cameras to become something that wasn’t just for the professional. As described by Eastman,

I also made experiments by using paper as a temporary support and coating the Cellulose immediately upon the paper, and afterwards coating with the emulsion. I had no difficulty stripping the Cellulose from the paper, the cellulose adhered to the emulsion and separated from the paper.

He patented this film on March 4, 1884. That same year, Eastman and his associate William Walker developed a roll holder to hold the film. The invention of this revolutionary film wasn’t enough, though. What he really wanted to do was, “to popularize photography to an extent as yet scarcely dreamed of.”

In 1888, the name “Kodak” was thought up while playing with an anagram set with his mother. Eastman loved the word because it was simple, easy to pronounce and it started with a “K.” Said Eastman, “It became a question of trying out a great number of combinations of letters that made words starting and ending with ‘K.”

Kodak was officially incorporated as a company in 1890 and quickly rocketed to the top of the industry. Also that same year, Eastman introduced the first Kodak camera, equipped with his film. It cost $25 (about $640 today), but the most important thing was that the customer didn’t do the developing of film themselves- Kodak did. The customer would send the camera back (film and all) to the company for developing and processing. Their motto aptly illustrated this: “You press the button, we do the rest.”

He had now made it easy for anyone to take and have pictures developed. The next step was to change the camera from a luxury item or expensive hobby to something just about anyone could afford.

In 1900, the revolutionary Brownie camera, versions of which were so popular through the mid-20th century, was born. It cost only one dollar ($28 today) and was even marketed to children. For the next hundred years, George Eastman and Kodak would be synonymous with cameras and film.

For his entire 40+ years of heading up his own company, George Eastman was used to being in control. So, when he was diagnosed with a spinal condition in the late 1920s, forcing him to be confined to a wheelchair, it depressed him greatly. His mother, who lived with him until her death in 1907, was also in a wheelchair for the last years of her life. His baby sister was in a wheelchair until she died. He saw them suffer and Eastman did not want to go through the same long drawn out process. He also didn’t like that he felt this gave off an image of weakness. Eastman was used to being a man respected the world over, not an “invalid.” He mused greatly about death and illness, writing a friend,

God keep me from being like them (referring to family and friends who he had seen succumb to illness). Doesn’t it seem strange that the clearest minds I have ever known should be taken this way? That is the sad thing about illness.

So, by March 1932, he had enough. George Eastman wanted to go by his own hand, rather than the hand of illness and fate. So he tidied up all the loose ends of his life and, once complete, ended it immediately on his own terms.

Source…www.today i foundout.com

Natarajan

First Recorded public version in Gramophone Plate….First Sloga of Rig Veda in Sanskrit

 

‘His Masters Voice’ (HMV) had once published a pamphlet giving the history of gramophone record.

Gramophone was invented by Thomas Alva Edison in the 19th century.

Edison, who had invented many other gadgets like electric light and the motion picture camera, had become a legend even in his own time.

When he invented the gramophone record, which could record human voice for posterity, he wanted to record the voice of an eminent scholar on his first piece.

For that he chose Prof. Max Muller of England (a German by ethnicity), another great personality of the 19th century.

He wrote to Max Muller saying,

“I want to meet you and record your voice. When should I come?”

Max Muller who had great respect for Edison asked him to come on a suitable time when most of the scholars of the Europe would be gathering in England.

Accordingly, Edison took a ship and went to England. He was introduced to the audience. All cheered Edison’s presence.

Later at the request of Edison, Max Muller came on the stage and spoke in front of the instrument.

Then Edison went back to his laboratory and by afternoon came back with a disc & played it on the gramophone.

The audience was thrilled to hear the voice of Max Muller from the instrument.

They were glad that voices of great persons like Max Muller could be stored for the benefit of posterity.

After several rounds of applause and congratulations to Thomas Edison, Max Muller came to the stage and addressed the scholars and asked them,

“You heard my original voice in the morning. Then you heard the same voice coming out from this instrument in the afternoon. Do you understand what I said in the morning or what you heard in the afternoon?”

The audience fell silent because they could not understand the language in which Max Muller had spoken.

It was ‘Greek and Latin’ to them as they say.

But had it been Greek or Latin, they would have definitely understood because they were from various parts of Europe.

It was in a language which the European scholars had never heard.

Max Muller then explained what he had spoken.

He said that the language he spoke was Sanskrit and it was the first sloka of Rig Veda, which says “Agni Meele Purohitam”

This was the first recorded public version on the gramophone plate.

अग्निमीळे पुरोहितं यज्ञस्य देवं रत्वीजम।
होतारं रत्नधातमम।।
(Rig Veda 1.001.01)

Why did Max Muller choose this?

Addressing the audience he said,

“Vedas are the oldest text of the human race. And “Agni Meele Purohitam” is the first verse of Rig Veda.

In the most primordial time, when the people did not know how even to cover their bodies and lived by hunting and housed in caves, Indians had attained high civilization and they gave the world universal philosophies in the form of the Vedas.”

When “Agni Meele Purohitam” was replayed, the entire audience stood up in silence as a mark of respect.

The verse means :

“Oh Agni, You who gleam in the darkness, to You we come day by day, with devotion and bearing homage. So be of easy access to us, Agni, as a father to his son, abide with us for our well being.”

Source….Input from a friend of mine
Natarajan

An Interesting Read …

 

A very interesting read!!

It is said in the texts that 80% of the fighting male population of the civilization was wiped out in the eighteen days Mahabharata war.

Sanjay, at the end of the war went to the spot where the greatest war took place; Kurukshetra.

He looked around and wondered if the war really happened, if the ground beneath him had soaked all that blood, if the great Pandavas and Krishna stood where he stood.

“You will never know the truth about that!” said an aging soft voice.

Sanjay turned around to find an Old man in saffron robes appearing out of a column of dust.

“I know you are here to find out about the Kurukshetra war, but *you cannot know about that war till you know what the real war is about*.” the Old man said enigmatically.

“What do you mean?”

*The Mahabharata is an Epic, a ballad, perhaps a reality, but definitely a philosophy*.

The Old man smiled luring Sanjay into more questions.

“Can you tell me what the philosophy is then?” Sanjay requested.

Sure, began the Old man.

*The Pandavas are nothing but your five senses*,
sight,
smell,
taste,
touch
and sound…,

and do you know what the *Kauravas* are? he asked narrowing his eyes.

*The Kauravas are the hundred vices that attack your senses everyday but you can fight them*… and do you know how?

Sanjay shook his head again.

“When Krishna rides your chariot!”

The Old man smiled brighter and Sanjay gasped at that gem of insight.

*Krishna is your inner voice, your soul, your guiding light and if you let your life in his hands you have nothing to worry*.

Sanjay was stupefied but came around quickly with another question.

“Then *why are Dronacharya and Bhishma fighting for the Kauravas, if they are vices*?”

The Old man nodded, sadder for the question.

It just means that as you grow up, your perception of your elders change. *The elders who you thought were perfect in your growing up years are not all that perfect. They have faults. And one day you will have to decide if they are for your good or your bad.  Then you may also realize that you may have to fight them for the good. It is the hardest part of growing up and that is why the Geeta is important*.

Sanjay slumped down on the ground, not because he was tired but because he could understand and was struck by  the enormity of it all.

*What about Karna*? he whispered.

“Ah!” said the Old man. “You have saved the best for last. *Karna is the brother to your senses, he is desire, he is a part of you but stands with the vices. He feels wronged and makes excuses for being with the vices as your desire does all the time.*

*Does your desire not give you excuses to embrace vices*?”

Sanjay nodded silently. He looked at the ground, consumed with a million thoughts, trying to put everything together and then when he looked up,  the Old man was gone….
disappeared in the column of dust………leaving behind the great philosophy of Life!

Found it quite inspirational…hence circulating…just  to make us think…..

Source….Input from my friend
Natarajan