Miracles Happening Inside our Body Every Single day….

 

Sometimes you may feel like your body is beginning to creak and fail you on the outside, but do you ever stop to consider the incredible work that is taking place inside of it? There is so much going on and everything fits together so well, that it’s almost impossible to comprehend it. This presentation will remind you that there are miracles going on inside your body every single day.

Heart

Info source: sentientdevelopments.com

Info Source: wonderopolis.com/Image Source: fleetfeetcolumbus
 

Cancer

Info source: cracked.com/Image source dream designs, freedigitalphotos.net 

Brain

Info Source: sentientdevelopments.com
 

Stomach

Info Source: cracked.com/Image source dream designs, freedigitalphotos.net
 

Eyes

Info Source: listverse.com

Energy

Info source: physlink.com

Red Blood Cells

Skin

Hair

Words

Liver

Saliva

Testicles

Kidneys

Hair

 

Digestion

Regeneration

Final Slide

Source….www.ba-bamail.com

Natarajan

 

 

WHY DO THEY CALL GRANDFATHER CLOCKS BY THAT NAME?…..

J.Kaus asks: Why are Grandfather clocks called Grandfather clocks?

grandfather-clock

At first glance, the answer seems obvious. Think about it- when was the last time you saw a grandfather clock in the house of anyone under the age of 70?

Grandfather clocks- with their long cases, pendulums, echoing chimes, and Roman numerals- seem to belong to the world of courting parlors, Model-T Fords, silent movies, and going out on a date for an ice cream soda. In short, the world of grandparents.

Yes, this may seem logical and obvious, but the real reason these timekeeping devices (technically called “Longcase clocks”) picked up the grandfatherly nickname has nothing to do with grandparents per se.

So how did grandfather clocks get this name?  Here’s the scoop…

In 1875, an American songwriter named Henry Clay Work was visiting England. While there, he checked in to the George Hotel in North Yorkshire.

In the hotel’s lobby was a large pendulum clock. The clock had stopped long ago and just sat in the lobby, serving no apparent purpose. This unmoving clock fascinated Work and he asked about its history.

He was told a story by the proprietors, whether true or not (probably not) isn’t important to how grandfather clocks got their name. The story was that the clock had belonged to the inn’s previous two owners, the Jenkins brothers, both deceased. It seems the clock had kept perfect time during their lives, but when the first Jenkins brother died, the clock started becoming less accurate.

After this, the story went that the clock stopped completely dead- to the minute and second Jenkins brother had died.  Maybe because it was his job to wind it and nobody else wanted the task, you say? ;-) According to the story Work was told, it was actually because it broke.  Despite the best efforts of a host of repairmen supposedly hired by the new owners of the inn, they couldn’t get the clock going again.

Now, of course, what probably actually happened was the clock died and was prohibitively expensive to fix, but looked nice, so the new owners of the hotel came up with a great story for the clock to hide the fact that they maybe just didn’t want to pay to get it fixed nor have it hauled off.

Whatever the case, the bemused Work thought it was a great story.  Being a song writer, he then wrote a song about the incident. The song was called “My Grandfather’s Clock”, released in 1876.

The lyrics were as follows:

1. My grandfather’s clock was too large for the shelf, So it stood ninety years on the floor;

It was taller by half than the old man himself, Though it weighed not a pennyweight more.

It was bought on the morn of the day that he was born, And was always his treasure and pride;

But it stopp’d short – never to go again – When the old man died.

 

CHORUS

Ninety years without slumbering (tick, tick, tick, tick),

His life seconds numbering (tick, tick, tick, tick),

It stopp’d short – never to go again – When the old man died.

 

2. In watching its pendulum swing to and fro, Many hours had he spent while a boy;

And in childhood and manhood the clock seemed to know And to share both his grief and his joy.

For it struck twenty-four when he entered at the door, With a blooming and beautiful bride;

But it stopp’d short – never to go again – When the old man died.

(CHORUS)

 

3. My grandfather said that of those he could hire, Not a servant so faithful he found;

For it wasted no time, and had but one desire – At the close of each week to be wound.

And it kept in its place – not a frown upon its face, And the hands never hung by its side;

But it stopp’d short – never to go again – When the old man died.

 

(CHORUS)

 

4. It rang an alarm in the dead of the night – An alarm that for years had been dumb;

And we knew that his spirit was pluming for flight – That his hour of departure had come.

Still the clock kept the time, with a soft and muffled chime, As we silently stood by his side;

But it stopp’d short – never to go again – When the old man died.

The public went crazy over the song. “My Grandfather’s Clock” went on to sell over a million copies in sheet music, which was fairly unprecedented for the day (Work had previously set that precedent selling over a million copies of the song Marching Through Georgia, which is still commonly played by marching bands today).

The previous term for “grandfather clock”, the rather un-catchy “longcase clock”, was dropped almost immediately by the public in favor of the new moniker for the clocks.

With the advent of digital technology and atomic clocks, some clock lovers worry that the old pendulum-swinging grandfather clocks may not be long for the current timekeeping world. However, despite its inanity, H.C. Work’s song lives on. It was recorded multiple times in the 20th century, and as recently as 2004 by the R & B act Boys II Men. It’s a song that, like grandfather clocks, keeps on ticking.

Bonus Facts:

  • Henry Clay Work wrote and composed a total of 75 songs, most of which sold well.  The most popular of them, besides My Grandfather’s Clock and Marching Through Georgia, were: Kingdom Coming; Come Home, Father; Wake Nicodemus; and Thy Ship That Never Returned.
  • Besides composing music, Work also was an abolitionist, as was his father. Work’s family home was a popular stop on the Underground Railroad, helping runaway slaves get to Canada.  For this, Work’s father was imprisoned for several years.
  • Work was inducted into the Songwriters Hall of Fame in 1970.
  • Work’s cousin, Frances Work, was the great-grandmother of the late Princess Diana of Wales.
  • The first grandfather clock was created around 1680 by British clockmaker William Clement.  These tall style clocks were made possible thanks to the anchor escapement system, which allowed for much smaller motion in the pendulum than used to be necessary.  Before this system, pendulums in clocks needed 80-100° of swing.  After this mechanism was invented in the 1670s, a swing of just 4°-6° was all that was needed.  The advantage of the longer pendulum and shallower swing is that less power, in the form of weights driving the clock, was needed, as well as slower beats and less wear on the moving parts.  All this makes for better long term accuracy of the clock.
  • Grandfather clocks classically were made in 8 day and 30 hour varieties (lasting this length of time when wound up).  Eight day clocks used two weights, one for the striking mechanism to cause a chime at the appropriate moment, and one for driving the clock.  This would then typically require two winding holes (where you’d stick the winding “key” to wind the weights back up).
  • 30 hour clocks were cheaper, using the same weight to power the clock and chimes, thus only needed one winding hole, but needed winding every day.  However, because people often wanted to make other people think they owned a more expensive 8 day clock, some 30 hour clocks featured two holes, one for the actual winding hole, the other a dummy winding hole to make guests think it was an 8 day clock.
  • An alternative design to the “key hole” system was to use a chain or cable driven system, so instead of winding the weight back up, you pull the chain to raise the weights back up to the top to power the clock.
  • The melody that the vast majority of grandfather clocks use for their chimes is Westminster Quarters.  This little tune is thought to have been borrowed/inspired by Handel’s Messiah during the 5th and 6th measures of “I Know That My Redeemer Liveth”.  As to the person who first put this little ditty in a clock, Dr. Joseph Jowett was hired to make the tune, possibly with the help of Professor of Music, Dr. John Randall and/or one of Jowett’s students, William Crotch.  Whatever the case, the piece of music was written in 1793 for the St. Mary the Great clock at the University Church in Cambridge.  It was later adopted for the “Big Ben” clock at the Palace of Westminster, which is what spawned its widespread popularity.
  • The specific note sequence for the melody is in E major and is as follows (varies in length based on the time of the hour, but the full length is): g♯, f♯, e, b | e, g♯, f♯, b | e, f♯, g♯, e | g♯, e, f♯, b | b, f♯, g♯, e

Source….www.todayifoundout.com

Natarajan

Message for the Day…” Speak the Truth and Walk on the Path of Righteousness…”

Sathya Sai Baba

The Gurus (preceptors) of the past taught only from experience; they loved their pupils and sought to correct their faults and failings, that is how their students lead happy and useful lives. When the pupils finally left the Guru’s home, he exhorted them to follow two guidelines (Sutras) which were as essential for life as the two eyes(netras) – Speak the truth; Walk on the path of righteousness(Satyam vada, Dharmam chara). The Guru had the faith that the pupil (shishya) would take the advice to heart, for he himself was the living proof of their value and validity. The Guru always takes great care to remove from the heart of the pupil the weeds of evil habits and tendencies, and implant therein the seeds of love. He insists on spiritual discipline (sadhana) for purifying the pupils’ minds and to render them strong enough to overcome temptations of all kinds. Virtue and character alone marks a truly educated person.

When APJ Abdul Kalam charmed his way into Boeing’s nerve centre…

Nostalgia: APJ Abdul Kalam with Dinesh Keskar during his 2009 visit to Boeing's Seattle plant - PICTURE COURTESY: BOEING

Nostalgia: APJ Abdul Kalam with Dinesh Keskar during his 2009 visit to Boeing’s Seattle plant – PICTURE COURTESY: BOEING

The sudden demise of former President APJ Abdul Kalam on July 27, left people mourning in India. Over 12,000km away in Seattle too, a pall of gloom descend on Boeing’s manufacturing plant, where the former President had charmed and impressed the employees during his visit in 2009. Later Dinesh Keskar, Senior Vice-President, Asia-Pacific and India, Boeing Aeroplanes called Kalam “a friend of a lot of people, including Boeing.”

During the 2009 visit, the former President had shown an interest in meeting Joe Sutter, the man who designed the double-decker aircraft, the Boeing 747, which is popularly known as the Jumbo Jet. “The former President knew of him (Sutter) and wanted to meet him,” recalls Keskar.

The 2009 visit to the Seattle plant was Kalam’s first to the Boeing’s manufacturing facility. The 88-year-old Sutter, often called the Father of the 747, was there. The two had a 20-minute meeting which Keskar too attended. “The former President wondered how Sutter had come up with the idea of the upper deck. Kalam also asked Sutter about the support he had in designing the Boeing 747,” Keskar recalled. Perhaps Kalam, who was involved with the Light Combat Aircraft project, was hoping to replicate the same in India. The Missile Man also gave a lecture to an audience that included scientists and top technologists during the Seattle visit. Kalam, however, was not just interested in the Jumbo Jet. During his visit he also got a first-hand feel of the first Boeing 787 aircraft, the long-range, wide-body, twin-engine jet airliner . The 787 aircraft that Kalam saw in Seattle was the first of the 27 aircraft that are joining the Air India fleet.

Kalam was impressed with the aircraft, particularly its wings. The crystal model of an aeroplane that Boeing presented Kalam to commemorate the visit is still displayed in Delhi.

Bengaluru days

Bengaluru days

Kalam’s relationship with Boeing did not end at Seattle. He also visited the Boeing research centre in Bengaluru. Keskar says that the former President spent over three hours talking to the 15 people present, inquiring about their work. Many of the people were picked from the National Aeronautics Lab, where Kalam was the Chairman of the organisation’s research council.

It was during this visit that Kalam said that one of the things Boeing must do is to get India into the aeroplane market. “He was obviously very interested in getting Boeing to do something in India in terms of building an aeroplane in India. We are still working on smaller pieces of that. We have not gone to the stage of the aeroplane but that was his vision,” Keskar added.

Source…ASHWINI PHADNIS   ….www.thehindubusinessline.com

Natarajan

Inventing Emoticons….

Inventing Emoticons

“Emoticons,” short for “emotive Icons,” (emotive meaning “appealing to or expression emotion” hence “icons that express emotions”) have been around in vertical form for some time. However, sideways emoticons seem to be a surprisingly recent invention, going back just about three decades.

“B4″ the days of LOL and apps to aid parents in understanding their teenager’s “textspeak”, a man named Scott E. Fahlman wanted his colleagues and students to understand the difference between a sarcastic joke and a nasty barb when typed.

Fahlman was part of a group of scientists and students at Carnegie Mellon University (CMU) who frequently communicated via an early online newsgroup to discuss a wide variety of topics. In these groups, if someone failed to understand that some sentiment was meant to be sarcastic or a joke, they would “post a lengthy diatribe in response,” explains Fahlman, “that would stir up more people with more responses, and soon the original thread of the discussion was buried. In at least one case, a humorous remark was interpreted by someone as a serious safety warning.”

So Fahlman came up with a sideways smiley and posted it on the newsgroup in September of 1982. The following is a copy of the original post.

“19-Sep-1982 11:44 Scott E Fahlman 🙂
From: Scott E Fahlman
I propose the following character sequence for joke markers: 🙂

Read it sideways. Actually, it is probably more economical to mark things that are NOT jokes, given current trends. For this, use :-(“

Fahlman thus became the first known person to use the 🙂 and 😦 emoticons. (Although, many have since claimed that they used it before him, without having any documented evidence to support their claims.)  Of course, Fahlman himself thinks it highly probable that other people were using these particular notations before him, being a very simple idea.

Regardless if they did, it was Fahlman’s post that popularized and spurred on the creation of new emoticons.  The idea caught on quickly at CMU and it soon spread to dozens of other universities, research labs, and computer networks. Some people even made a hobby out of compiling all sorts of smileys expressing various sentiments.

Fahlman didn’t archive the original thread, since he had no way of knowing it would ever prove to be of interest to anybody, let alone help change the way people communicate digitally.
So how do we know about it today? In 2001, Mike Jones of Microsoft sponsored a serious dig into the thread archives stored on old backup tapes to see if someone could find the origin post by Fahlman.  Jeff Baird, Howard Wactlar, Bob Cosgrove, and David Livingston at CMU managed to not only find the tape backups, but also to find a machine capable of reading the old tapes and decoding the information on them.  The original thread was found on those tapes on September 10, 2002, just nine days before the 20th anniversary of the post.

How has all this affected Fahlman? Well, Fahlman never made a dime off of emoticons, and throughout the birth and growth of the emoticon, he has remained with CMU, primarily working in Artificial Intelligence. “I am trying to create something that will have a greater impact than that stupid thing,” Fahlman says. That’s a tall order. 🙂

Bonus Emoticon Facts:

  • In an 1881 edition of the publication “Puck”, they suggested the vertical emoticons seen on your right.
  • Another early instance of a vertical emoticon was suggested in 1912 by Ambrose Bierce: \__/!  This vertical emoticon was to indicate a smile with an exclamation point at the end to indicate it was an ironical smile, thus to be used as an alternate punctuation for sentences that were referring to things ironic in nature.  While this may seem not very self evident, Fahlman states that a CMU research group was using \_/ to indicate a smile around the time he suggested the sideways smiley, though he wasn’t aware of it when he made his suggestion and it isn’t clear whether that usage came before his.
  • Yet another earlier emoticon was suggested in the New York Times in 1969 when Vladimir Nabokov was asked “How do you rank yourself among writers (living) and of the immediate past?”  He responded, “I often think there should exist a special typographical sign for a smile — some sort of concave mark, a supine round bracket, which I would now like to trace in reply to your question.”
  • Abbreviations like “lol” and the like didn’t just come about because of the internet. According to the April, 1857 edition of The National Telegraphic Review Operators Guide, in Morse code, the number 73 was used to succinctly say “love and kisses”.  This was later changed to mean “best regards” and “love and kisses” got changed to the number 88.  There were numerous other shorthand codes used in Morse code “chatspeak”.
  • One of Abraham Lincoln’s speeches may have included an emoticon or it may have simply been a typo (read: it almost certainly was a typo).  The transcript of the speech was printed in the August 7, 1862 edition of theTimes, where it stated, there is this line “… but it is also true that there is no precedent for your being here yourselves, (applause and laughter 😉 and I offer, in justification of myself and you, that I have found nothing in the Constitution against.”

Harvey Ball got forty five dollars for designing the first yellow smiley face. Ironically, the smiley face was born in unhappy days at the State Mutual Life Assurance Company. The company had purchased the Ohio firm, Guarantee Mutual, and the takeover made working conditions in the company unfriendly and almost hostile. The State Mutual Vice President suggested a “friendship campaign” and hired Ball to design something that would boost morale at the company and asked him to design something “smile” oriented.  After Ball’s death in 2001, the LA Times wrote about his work. “Ball started sketching. Fearing that a grumpy employee would turn the smile upside down into a frown, he added the eyes. He settled on yellow for the background because it was a ‘sunshine’ color. The work took about 10 minutes.”  The company distributed 100 pieces of this smiley in 1964 and asked employees to smile while they answered phones and dealt with customers. Before long, the yellow smiles were so popular that the company kept on reordering them in batches of 10,000 to fill requests by companies and agents. Soon the yellow smiley face was a popular culture icon.The LA Times reports that “By 1971, more than 50 million smiley face buttons had been sold, and the image was popping up on coffee mugs, stickers, T-shirts and countless other items.” Ball never trademarked or copyrighted the design and made no money on it after the initial $45.  Others profited immensely from it, including some in other countries who did manage to acquire the rights to the yellow smiley and sue others who were using it without paying.

Source…www.todayifoundout.com

Natarajan

 

Meet ‘Traffic Ramaswamy’ …80 Years Old…Still Standing Tall and Fighting against Wrong….

One would think this 80-year-old would have hung up his boots a long time ago. Why then is he, instead of reading a newspaper on the porch and playing with his grandchildren, busy keeping the local government, policemen and officials on their toes? Meet K.R. ‘Traffic’ Ramaswamy, a social activist who fears none.

“I want to see Chennai as one of the most livable and lovely cities in the country,” says 80-year-old Ramaswamy, with high hopes and a quavering voice. This man, who started his career as a mill worker, is one of the most popular names in Chennai today.

Traffic Ramaswamy

Born on April 1, 1934, Ramaswamy is no less than a hero who continues to fight for what is right in spite of many challenges.

From asking to remove the prefix ‘Amma’ from Jayalalitha’s name to filing over 50 PILs (Public Interest Litigations), Ramaswamy has always stood by what he believes in. He even walked out of his father’s house when he demanded dowry from the bride’s family.

Who is he?

A home guard by profession, his life as an activist started when he unofficially began directing traffic on Chennai’s busy Parry Corner. In appreciation of his dedication and efforts, the police gave him an identity card which earned him the name Traffic Ramaswamy.

“It was difficult. Many family members went against me for my ‘foolish’ acts of public service. But some friends provided me food and shelter,” he remembers.

Ramaswamy’s activism grew, along with his understanding of the public system, when he worked as PA to a minister in Rajaji’s cabinet.

What has he done?

He was imposed a fine of Rs. 25,000 by the Madras High Court in October 2014 for filing a vague PIL stating “party functionaries who swear allegiance to a criminal cannot form the government.”

He had also filed a PIL to prevent Jayalalitha’s picture from appearing on bus stands and buses.

He was responsible for bringing the ban on the use of motorised fish carts in Chennai in 2002. The fish carts, also known as Thattu Vandi, are motorised carts with a flat wooden plate at the back which causes a lot of damage and injuries if it accidentally hits people. Furious with his actions, the fish sellers attacked him and damaged his property.

Ramaswamy was also abandoned by his own family when he started receiving death threats. But today, even the fishermen acknowledge his efforts and accept that the ban was important.

“What is wrong should be addressed without fearing anything. That is what I have always done.”

– Ramaswamy

Another major change that he brought to the city was by going against unauthorised constructions. He managed to get a multi-storey building which was encroaching on the street at T. Nagar demolished. He also got a one-way road where a lot of lives had been lost due to accidents, converted into two-way

 

The 80 year old man is still standing tall and fighting against wrong.

Most of his actions are backed by the PILs that he files.

Cathedral Road in Chennai is one of the best kept roads in the city as it has the houses of  two of Tamil Nadu’s biggest political leaders on each side of the road. The entire stretch of the road used to be covered with party posters and banners. Ramaswamy filed a PIL to remove the posters and won the case too. Too scared to go against the powerful figures, the police and other officials were reluctant to remove these posters. So Ramaswamy went ahead and removed them himself.

Having spoken loudly against corruption, he has been attacked several times and today has court protection and lives alone due to several death threats given to his dear ones.

He also launched a  political party, Makkal Pathukappu Kazhagam in January 2014, which is open to anyone to join. “I want to invite people to get associated with it and feel free to raise their voice against what is wrong. The party already has thousands of people engaged with it,” he says.

What keeps him going?

ramaswamy

Having spoken loudly against corruption, he has been attacked several times and today has court protection and lives alone due to several death threats given to his dear ones.

“It is the love for my city and a dream to see it progress that keeps me going. I believe there will be a day when the entire nation will be corruption-free. But only if we all come together to fight for it.”

– Ramaswamy.

He believes that the real power lies with the people and they should use it. “I want citizens to be bold. They should not fear anything and come out in the open,” he says.

From a mill worker to a social activist, Traffic Ramaswamy’s life has been full of ups and down. But he has always stood by his decisions and raised his voice against what is wrong. Even in his twilight years, he shows strong will power and immense dedication towards a better city and, above all, a better India.

Contact Ramaswamy on his Facebook page.

Source….www.the betterindia.com

Natarajan

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Chennai’s Colonial Era LandMarks….

Chennai's colonial-era landmarks

Photo: Nathan G./Mint

The port city has drawn traders from far and wide to set up shop. Here are six pre-Independence establishments that are still thriving

On 22 August 1639, three square miles of land on the Coromandel Coast, where Fort St. George is located today, was handed over to the British East India Company by the local Nayaka rulers. It was from that shard of earth—flanked by ocean and dusted with blond sand—that Madras originated.

 

Now called Chennai, the city celebrated its 376th birthday on Saturday. Here are the profiles of some of the city’s most iconic institutions.

 

Victoria Technical Institute
Photo: SaiSen/Mint
Photo: SaiSen/Mint
The sepulchral atmosphere at the Victoria Technical Institute (VTI) is deepened by a marble statue of the puritanical monarch in full court dress—crown, cloak and sceptre—glaring beadily at you. The pretty young lady on the phone, however, doesn’t seem to be bothered. She has lined up a selection of baby dresses and is discussing the specifics with someone at the other end of the line, possibly a friend or relative who has recently had a baby girl. “I’m sure it will fit her,” she says, “She is still very small.”
This is perhaps one of the few places where you get frocks of this sort in the city: light-as-air smocked cotton in pastel shades with little flowers embroidered all over it. Other remnants of a time gone by can be found here: lace-edged doilies, plump tea cosies, wicker baskets, household linen with cut-work embroidery, multicoloured knitted napkin holders.
Most of the embroidery is done by women’s self-help groups in South India,” says C. Israel, CEO-IC (chief operating officer, in charge) of VTI. “We support them by giving them this platform to showcase their work.”
VTI, which was established as a public charitable trust in 1887 to commemorate the golden jubilee of Queen Victoria, was registered as a society in 1889.
“A few citizens of the Madras Presidency came together to start an organization to help the craftspeople of this country,” says Israel. “They wanted to preserve Indian handicrafts this way.”
VTI’s importance and reach grew as the society’s councillors began persuading craftspeople to route their products through the institute. Scholarships were offered to artisans and more art colleges were established in the Madras Presidency. In 1909, VTI got its first permanent exhibition centre: the Victoria Public Hall on Pantheon Road, Egmore.
When World War II erupted in Europe, British troops chose to occupy the Victoria Public Hall and the institute was moved to a rented store on Mount Road. In 1956, a new flagship showroom was opened in the same area.
The institute, which is spread across three floors and employs around 42 people, has craftspeople from all across the country supplying goods. Finely moulded statues of various Hindu gods in bronze, stone and rosewood can be found on the ground floor and in the adjoining gallery; the brightly coloured enamel work of Rajasthan and equally brilliant wares of Channapatna are balanced by the more subdued Bidriware and Dhokra art, while exquisitely carved and painted wooden furniture takes up an entire floor.

“There are over a hundred different sorts of handicrafts here,” says Israel. “And we constantly meet new craftsmen and invite them to display the best of their workmanship here.”
The Old Curiosity Shop
There is something decidedly Dickens-esque about the red-brick building on Mount Road that houses the Kashmir Art Palace. Step inside and you will understand why it is also called ‘The Old Curiosity Shop’. A line from the inimitable author’s novel, by the same name, flashes unbidden across the mind as you step inside, “the place… was one of those receptacles for old and curious things which seem to crouch in odd corners of this town and to hide their musty treasures from the public eye”.
Mohammed Lateef, whose father started the store in the mid-1940s, says, “The struggle for Independence was at its peak back then and there was a lot of turmoil in the north of India. My father (Ghulam Mohammed) came down to Madras for a visit and liked the relative peace and simplicity of the people here.”
Mohammed Lateef. Photo: SaiSen/Mint
Mohammed Lateef. Photo: SaiSen/Mint
So, Ghulam went back to Kashmir, sold his existing business and used the money to set up the shop on Mount Road. “Back then, people didn’t understand the concept of antiques,” says Lateef. “This used to simply be a gift shop for the English officers who needed to pick up things to take back to their homeland.”
It was his clientele who named the shop, laughs Lateef, turning on a cassette player. Don McLean’s Vincent wafts through the store. With a satisfied expression, Lateef leans back and says, “My style has always been vintage and I don’t sell anything I don’t like. I suppose this store reminded (clients) of the original Old Curiosity Shop.”
Currently, he says, his shop has a mix of both old and new things, “A lot of my clients are in the IT sector—they like to spend money on their house. And I like educating them,” says Lateef, who claims that Jawaharlal Nehru, former chief minister M.G. Ramachandran and actor Sivaji Ganesan visited the store during their lifetime.
“I can make you go back in history,” he promises, picking up a large lump of quartz that gleams gently in the dim light. Holding it up, he remarks, “This is at least million years old.”
There are other things in the store, perhaps not so primeval, but rare and unique nevertheless: finely embroidered, ancient pashmina garments, sepia-hued letters written by Indian statesmen, black-and-white photographs and the cameras that took them, gramophones, radios, typewriters, telescopes, compasses, sundials, five-decade old comics, century-old etchings and sketches, toys, vinyl records, coins, stamps, vintage jewellery, old movie posters, books produced by the Gutenberg press.
“After the British left India, this changed from a gift store to an antique one,” he says, “I talked to my clientele, understood their hobbies and started sourcing things for collectors all over the world. Some of the things I have here once belonged to royalty.”
Gem and Company
It is a small, unpretentious store on NSC Bose Road opposite the Madras high court. Clunky old buses trundle past, shoving pedestrians off the road and raising whorls of dust that find their way into the store, coating furniture and clients with a fine layer of dirt.
Behind the glass shutters of the wooden shelves, however, the pens are safe enough: the little-girl fountain pens with Disney princesses and fairies emblazoned on them, the slender metal cylinders that glint in the sun, the hand-crafted ebonite canisters of swirly brown and streaky black, the packets of cheap and convenient ball pens, the multicoloured gel pens.
“I have a passion for pens and love them,” says M. Pratap Kumar, owner of Gem and Co., which exclusively sells pens. “That is why I do what I do.”
M. Prabhat Kumar. Photo: SaiSen/Mint
M. Prabhat Kumar. Photo: SaiSen/Mint
It began a little less than a century ago, in the late 1920s, when Kumar’s grandfather N.C. Cunnan and his friend Venkatrangam began Gem and Co. Back then, all pens had to be imported from England, he says, adding that today, besides the regular brands such as Parker, Reynolds, Cello, Waterman, Sheaffer and Cross, he also sells the shop’s own brand of pens, Gama. “We sell our pens all over India and abroad,” he says.
Though he stocks a variety of pens, Kumar admits that he has a penchant for the good old fountain pen. “I always advise children who come here to use fountain pens. They are cheap, long-lasting, eco-friendly, don’t stress either the paper or your fingers and give you a much more legible and neat script,” he says, admitting that he is thrilled that schools in the city today are now insisting on their students using fountain pens.
In addition to selling pens, he also focuses on pen servicing, “The fountain pen is a very technical instrument; our exclusive service station for old pens can help you revive even your grandfather’s pen.”
From a shelf below, he takes a slender, velvet-padded box and opens it to reveal an amber-coloured pen. The cap is shattered and the nib cracked, but he picks it up almost reverentially and remarks, “This is an antique pen—once I am done with it, it will write better than any new one.”
Higginbothams
The air-conditioning isn’t working and shimmery, gossamer cobwebs hang like decidedly unlovely birthday streamers off long-stemmed grubby white fans. But the stained glass through which sunlight filters in leaving behind tiny pinpricks of bright light on the smooth black and white Italian tiles is beautiful, as is the sweeping wooden staircase that leads to the gallery above.
The pendulum of the tall grandfather clock must have oscillated for nearly 170 years, but time continues to sit lightly on Higginbothams, the oldest surviving bookstore in India. Unlike most other popular bookstores in Chennai, which have diversified their offerings over the past decade or so (in a few cases, books are no longer even stocked there), Higginbothams is unabashedly what it claims to be—a bookstore in the truest sense of the word.
Photo: Nathan G./Mint
Photo: Nathan G./Mint
M. Hemalatha, a senior customer relations manager who has been with the company for more than 33 years, says, “We are a conservative place and our environment may not be fancy. But when it comes to books, we have all that you require here. We have books across all subjects—technical and academic, bestsellers, classics, non-fiction, regional language publications…”
Labelled shelves of books cover the nearly 12,000 sq. ft store, while notice boards mounted on the wooden railings that bind the mezzanine floor celebrate the power of the written word. “Finishing a good book is like leaving a good friend,” declares one notice, attributing the comment to American publisher and author William Feather. Joseph Addison’s observation that “Reading is to the mind what exercise is to the body,” is printed on another. Then there is Pulitzer Prize-winning historian and writer Barbara Tuchman’s simple but lucid comment, a personal favourite—“Books are the carriers of civilization.”
Started by Abel Joshua Higginbotham, a former librarian, in 1844, the bookstore has grown into one of the key attractions of the city. It was frequented by the who’s who of the day, from publisher John Murray to Madras governor Charles Trevelyan and British prime minister Clement Atlee; it became the official book supplier of most government-owned or managed institutions of the time, including the Connemara Public Library.
In 1891, Abel’s son C.H. Higginbotham took over and began expanding the business—building the large high-ceilinged white building where the store is now located, taking it to other large cities in South India and also establishing capsule versions of the store at most railway stations.
“In addition to our larger stores in South India, we also have stores in college campuses, railway stations and the Chennai airport,” says Hemalatha.
In 1925, the store was bought by John Oakshott Robinson and merged with his existing printing unit, Associated Press, to form Associated Publishers.
Black-and-white portraits of the various stakeholders in the business smile enigmatically at you as you enter the store. Between the two portraits of founder Abel Joshua Higginbotham and his son C.H. Higginbotham is one of the late S. Anantharamakrishnan, founder of the Amalgamations Group.
“The bookshop was taken over by the Amalgamations Group in 1945,” explains Hemalatha, adding that it has been with the group ever since.
Despite it being a weekday morning, there are a few children crouched on the floor, examining the bottom shelf of the children’s section. “Reading is increasing among young people in spite of multimedia influences,” says Hemalatha. “Earlier, we were afraid that physical stores would go as the online market was able to give discounts we could not match. However, people who truly love reading still enjoy browsing in a bookstore for the touch and feel of books. And because we are a serious bookstore, they continue to come here.”
Poppat Jamal and Sons
The last year of the 19th century saw a terrible famine spread across Western and Central India. Poppat Jamal, whose family had a wool-exporting business in Gujarat, decided to escape it by leaving home. After a brief stint in Rangoon and then Bombay, he decided to explore the south of India and landed up in Madras.
“My grandfather came here and found a job working with Ibrahim Peer Mohammed and Company, a crockery company in Broadway,” says Mahmud N. Jamal, who has taken care of the business since the early 1970s.
Mahmud Jamal. Photo: SaiSen/Mint
Mahmud Jamal. Photo: SaiSen/Mint
In 1901, Poppat Jamal’s employer decided to sell the business, “He asked my grandfather what he thought the stock in the store was worth,” says Mahmud. “My grandfather said Rs50,000, which was a fortune in those days.”
Though he didn’t have that sort of money, Poppat Jamal agreed to take it over. “The former owner told my grandfather to pay him back after selling the goods. There was a lot of trust in those days,” adds Mahmud.
The large blue-and-white cup and saucer at the entrance of the store may proclaim the name of the business in its current avatar, Poppal Jamal and Sons. But it was not always named so, reveals Mahmud.
“My grandfather started the business with his brother, so it was initially called Poppat Jamal and Brothers,” he says. “When his brother passed away in the 1920s, the name changed to Poppal Jamal and Sons.”
Prior to Independence, the wares were imported from the UK and Japan, he adds. However, as better Indian brands came into the market, they started sourcing more products locally.
From bright melamine dinner sets to Cristal d’Arques glasses, neatly packaged lunch boxes, ceramic cups, airtight storage boxes, electronic gadgets and finely carved silverware, the range is extensive and attractive.
“We stock both local and international brands; we also have Taz, our in-house brand,” says Mahmud, adding that baking equipment is currently hugely popular. “We have a cross-section of buyers and our price range extends from Rs10 to Rs40,000.”
The store has changed locations (in 1958, it moved from Broadway to Mount Road) and the business has expanded (the company now has four stores in the city, as well as stores in Coimbatore and Vijayawada) but what the brand stands for remains essentially the same: PQR—Price, Quality, Range.
Mathsya
They say that when the Battle of Kurukshetra was fought, the king of Udupi refused to take sides, opting instead to cook and serve food to the soldiers gathered on the battleground. As with most stories from the epics, divine intervention came into play: the king would meet Lord Krishna every day to determine how many soldiers would survive the battle that day, thereby deciding the quantity he had to cook.
Little wonder indeed that the little town of Udupi in South Kanara, Karnataka, produces some of the finest vegetarian food in the country. Once upon a time, Madras was filled with hotels serving Udupi cuisine; unfortunately with the changing times, many of the old Udupi hotels were forced to shut down.
Mathsya, located at the corner of Halls Road in Egmore, has managed to hold its own since the turn of the last century. Ram Bhat, a partner of the popular restaurant, says, “To understand Mathsya, you have to understand Udupi philosophy. At the Udupi Sri Krishna Temple, food is served as prasadam to all.”
His grandfather Ramanna Bhat, who set up the restaurant in the early 1900s, was affiliated to that temple and set up the restaurant when he moved to Madras. “Back then, it was called Madras Café,” he says. “When my uncle Shama took over, he called it the Udupi Sri Krishna Bhavan.”
The name changed again after Independence, it was then called Udupi Home, he says, adding that “During the Indo-China War in 1962, there were constant power cuts, the trains came in late and people were stranded without food. So, the government gave Udupi Home permission to serve food post-midnight.”
And that holds good even today. The bells that decorate the hand-crafted wooden door of the restaurant jingle into the wee hours of the morning, while a wooden statue of Mathsya (the piscine avatar of god Vishnu) in the centre of the room welcomes all who enter—middle-aged homemakers, runny-nosed children, mustachioed businessmen and mini-skirted party-goers—equally graciously.
“In the late 1970s, we changed the entire set-up and gave it a more modern look and menu,” says Bhat. “While the rasam vadai, Raja Raja Cholan dosai, onion rava dosai, Manglore bondas and filter coffee continue to be all-time favourites, we also have things like cheese toast, bread-peas masala, aloo parotta and pav bhaaji,” he says, adding that “we are the first restaurant to introduce authentic Punjabi and north Indian cuisine to the south”.
Source…..Preeti Zachariah…..www.mintonsunday.livemint.com
Natarajan

 

Message for the Day…” Shiva must be seen thro the two horns of Nandi…”

Sathya Sai Baba

When visiting a temple of Lord Shiva, none should pass between the bull (Nandi) and the Lingam – the Jiva (individual soul) and Lord Shiva, it is said; for they are to merge into one. Shiva must be seen through the two horns of Nandi, they say. When asked the reason for this procedure people reply, “Well, it is holier than other methods of viewing the Lingam”. But the inner meaning is, ‘You must see the Shiva in Jiva’ – Pasu (animal) and Pasupathi (Lord of all beings) are one: Nandi and Iswara become Nandiswara. When in bondage, it is Nandi; when the bound becomes free, it is Iswara – Nandiswara! This Union is entitled to be honoured. When Pasu is offered to the Pasupathi, and its separate identity is cast away, it is true Yajna (sacrifice). Today, these symbolic acts have changed beyond recognition. The practices of today and the principles of yesterday are far apart – the smallest detail of secular life must be inspired by the higher ideal of spiritual fulfillment.

 

India Is Home To The World’s First Completely Solar-Powered Airport….

 

One of the world’s three biggest polluters just took a big step toward reducing its greenhouse emissions and embracing renewable energy sources.

India’s fourth-largest airport, the Cochin International Airport in the southern city of Kochi, announced on Tuesday that it is now “absolutely energy neutral,” The Economic Times reports. The airport is co-funded and operated by the Indian government through a public-private partnership.

The airport’s energy neutrality is possible thanks to a 12-megawatt solar system consisting of more than 46,000 panels installed on a 50-acre site. The system can generate up to 60,000 units of electricity daily.

According to Al Jazeera America, the project took six months to build and cost $10 million, which the airport anticipates it will recover within five years. The panels are expected to last 25 years.

<span class='image-component__caption' itemprop="caption">The Cochin airport's solar panels as seen from above in Kochi, India in the southern state of Kerala.</span>

The Cochin airport’s solar panels as seen from above in Kochi, India in the southern state of Kerala.

The panels were designed and installed by Bosch Ltd., which has a five-year partnership with the airport, according to Catch News.

The airport began testing solar energy in March 2013, when it installed a small solar plant on the arrival terminal’s rooftop, according to The Economic Times.

The project has been seen as a model for the rest of India, and the government is urging other airports to follow suit.

India’s goal is to ramp up solar capacity to 100 gigawatts by 2022. Its current capacity is four gigawatts.

India has a broader goal to derive 15 percent of its energy from renewable sources by 2022, with 3 percent coming exclusively from solar. Earlier this summer, the government rolled out new incentives to encourage developers to turn to renewable energy.

Source…..Chicago Editor, The Huffington Post,….www.huffingtonpost.com

Natarajan

67,000 people have already signed up for this one-time opportunity from NASA …I have done Today !!!

This is onetime opportunity… Your Name could fly aboard NASA’s Mars Mission….

natarajan

 

Natarajan

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Natarajan